“I'd never heard anything like it before. It was like banshee music. This absolutely otherworldly voice, singing about a book, and as a bookish kid, I was always fascinated by anything, any music that seems to be about or inspired by books.”

Source: Sputnik Sweetheart

On "Running Up That Hill (A Deal with God)".
The Kate Bush Story (2014)
Context: I just remember pulling aside, I was driving, and I heard it on the radio, in the states — and she didn't really get played a lot in the states, until that song — that really got played — a lot. I remember, I had to pull over, and listen to it, because I'd never heard anything like it.

Variant: All music is folk music. I ain't never heard a horse sing a song.

Australian Idol, Final Performances, Final 6

Source: Zuleika Dobson http://www.gutenberg.org/dirs/etext99/zdbsn11.txt (1911), Ch. IX

Source: Flowers for Algernon

Oui interview (1979)
Context: There isn’t anything weird about my music. Weird is a skeleton in the closet, wearing a rubber mask with warts all over its nose, and all that kind of shit. That’s not what I do. The thing that makes my music unusual is that people only hear one kind of music all the time over the radio. It’s wallpaper to their lives. Audile wallpaper. There’s one acceptable beat and there are three acceptable chord progressions. There are five acceptable words: baby, love, tears, yat yat. Just because I don’t deal in those terms doesn’t mean I’m weird. So tell these people: I ain’t weird; I’m rational. I’m a person who can choose to write stuff like that, or choose to write stuff that includes all the notes on the piano played at once, followed by a cement truck driving over the piano, followed by a small atomic explosion. Nothing weird about that as long as you do it in a meaningful way.

Don't sing English ballads to me!
Don't Sing English Ballads to Me; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 56.