“Classic art was like a king who has the right to govern, punish, reward, and choose his favorites from an aristocracy, obliging them to adopt conventional rules as to manners, morals, and modes of speech. The new art tries to imitate nature in its unconsciousness, its moral indifference.”

Russian Novelists (1887), page 10 (translated by Jane Loring Edmands)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Classic art was like a king who has the right to govern, punish, reward, and choose his favorites from an aristocracy, …" by Eugène-Melchior de Vogüé?

Eugène-Melchior de Vogüé3

French diplomat, orientalist, travel writer, archaeologist,… 1848–1910

Related quotes

“Art imitates nature not in its effects as such, but in its causes, in its ‘manner,’ in its process, which are nothing but a participation in and a derivation of actual objects, of the Art of God himself.”

Paul Claudel (1868–1955) French diplomat

as quoted in "The man who got it right," The New York Review of Books, Volume 60, Number 13, August 15, 2013, p. 72

“When the creative imagination sees new dreams rising above from imitation and maneuvers its works in its own manner, there Art springs.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

कला र जीवन (Art and Life)
Art and Life

“By imitating the manners and the mode of life of the West, the Muslims are being gradually forced to adopt the Western moral outlook: for the imitation of outward appearance leads, by degrees, to a corresponding assimilation of the world-view responsible for that appearance.”

Muhammad Asad book Islam at the Crossroads

Page. 70.
Islam at the Crossroads (1934)

“No Art can be grafted with success on another art. For though they all profess the same origin, and to proceed from the same stock, yet each has its own peculiar modes both of imitating nature, and of deviating from it, each for the accomplishment of its own particular purpose. These deviations, more especially, will not bear transplantation to another soil.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 13, delivered on December 11, 1786; vol. 2, p. 134.
Discourses on Art

“In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?”

Eugène Delacroix (1798–1863) French painter

13 January 1857 (p. 334)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

“The moral government of God, springing from the Divine Love, is a government by moral agencies purely. It relies utterly on the operation of the powers native to the soul itself; and leaving aside all the juridical enginery of reward and punishment, it lets his sun shine and his rain fall alike on the just and on the unjust, that the cause of God may everywhere win simply upon its merits.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Right Relation of Reason to Religion, p.258

“The state in commissioning its judges has commanded them to judge, but neither in constitution nor in statute has it formulated a code to define the manner of their judging. The pressure of society invests new forms of conduct in the minds of the multitude with the sanction of moral obligation, and the same pressure working upon the mind of the judge invests them finally through his action with the sanction of the law.”

Benjamin N. Cardozo (1870–1938) United States federal judge

p, 125
Other writings, The Paradoxes of Legal Science (1928)

“For me personally, the greatest art to date has been created in New York and the most uptight and conventional art in Berlin. Obviously, I am an exception to this rule!”

Isa Genzken (1948) German sculptor

living and working in Berlin
after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

“Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

“The art of agriculture is the realization of some ideal object. lie who practises it has received from others, without considering the reasons on which it is founded, the idea or rule by which he proceeds. The skilful practice of an art consists, therefore, in the adoption of new ideas, in the study of new rules, and in judging the fitness of their being carried into practice.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

Source: The Principles of Agriculture, 1844, Section I: The fundamental principles, p. 2.

“Classic art was like a king who has the right to govern, punish, reward, and choose his favorites from an aristocracy, obliging them to adopt conventional rules as to manners, morals, and modes of speech. The new art tries to imitate nature in its unconsciousness, its moral indifference.”

Help us to complete the source, original and additional information

Eugène-Melchior de Vogüé3

Related quotes

Related topics