“What was it that drove these thousands into the arms of his art — what but the blissfully sensuous, searing, sense-consuming, intoxicating, hypnotically caressing, heavily upholstered — in a word, the luxurious quality of his music?”

The Shepherd of King Admetus http://www.readbookonline.net/readOnLine/1170/, st. 5

Valentine and Simon, pg. 342-343
The Mortal Instruments, City of Ashes (2008)

Original: Al giorno d'oggi, se ciò che conta davvero in una produzione è la sua promozione, indipendentemente dal genere musicale, purtroppo la qualità e la sua bellezza non hanno più molto senso.
Source: prevale.net

Man in the Modern Age (1933)

Source: More Money than Brains (2010), Chapter Two, At the Arse End of the Late Great Enlightenment, p. 58

as quoted by Ilya Prigogine in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html given at the occasion of Prigogine's 1977 Nobel Prize in Chemistry.

Variant: Tell you what: you can be Glammera the vampire hunter. I'll stick with being manly and heavily armed.
Source: Ghost Town

Erster Deutscher Herbstsalaon (1913)

Vol. I, Ch. 2: Of the Prophetic Language
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: When a man is taken in a mystical sense, his qualities are often signified by his actions, and by the circumstances of things about him. So a Ruler is signified by his riding on a beast; a Warrior and Conqueror, by his having a sword and bow; a potent man, by his gigantic stature; a Judge, by weights and measures... the affliction or persecution which a people suffers in laboring to bring forth a new kingdom, by the pain of a woman in labor to bring forth a man-child; the dissolution of a body politic or ecclesiastic, by the death of a man or beast; and the revival of a dissolved dominion, by the resurrection of the dead.