“Then M. Ravel discussed another idea. That was that in these days of cacophony it might be quite an original idea for the orchestra to start, say, in C major, and then, through a series of discords the instruments should divide, some going up a semitone at every three or four bars, while others went down in the same way, eventually ending in perfect harmony in C major two octaves apart. He said: 'It is just an idea but it might be rather fun working it out and certainly a novel way of resolving harmony from discord.”
            Maurice Ravel and unattributed. "Finding Tunes in Factories", Evening Standard, London, 24 February 1932. 
Also printed in: Orenstein, Arbie, ed. (1990). A Ravel Reader: Correspondence, Articles, Interviews, p.490-91. New York: Columbia University Press.
        
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Maurice Ravel 3
French composer 1875–1937Related quotes
 
                            
                        
                        
                        “In f-major, c* [a C major chord] is a sonority contained within the overtones of the tonic f”
                                        
                                        a F major chord 
ibid, p. 14.
                                    
 
                            
                        
                        
                        Aaron Copland: the Life and Work of an Uncommon Man, ISBN 0805049096.
                                        
                                        It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me. 
On his preference for Yamaha's 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in  Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT457&dq=%22because+of+the+limited+keyboard%22&hl=en&sa=X&ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&q&f=false (1992, 2006, 2014)
                                    
 
                            
                        
                        
                        
                                        
                                        Ken Thompson, talking about the origins of the Go programming language 
 Dr. Dobb's: Interview with Ken Thompson, 18 May 2011, 7 February 2014 http://www.drdobbs.com/open-source/interview-with-ken-thompson/229502480, 
"Interview with Ken Thompson", 2011
                                    
 
                            
                        
                        
                        
                                        
                                        In a letter from Venice to the Spanish emperor Charles V in Bruxelles, 10 Sept. 1554; original in the 'Appendix' of Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle,  Publisher London, John Murray, 1877, p. 231-232 
Titian is announcing in his letter the completion and the delivery of the paintings 'Trinity' and 'Addolorata' and probably a third painting 'Christ appearing to the Magdalen', for Mary of Hungary 
1541-1576
                                    
 
                            
                        
                        
                        Speech "Created Equal: How Christianity Shaped The West" http://theroadtoemmaus.org/RdLb/21PbAr/Hst/XtyShapesWest-DSouza.html (16 September 2008).
 
        
     
                             
                             
                            