“You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the way that music does, if you like... There is more sensitivity in technique than in the rest of the picture.”

—  Georges Braque

Source: 1946 - 1963, Cahiers d'art', 1954, p. 16

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established be…" by Georges Braque?
Georges Braque photo
Georges Braque43
French painter and sculptor 1882–1963

Related quotes

“Like drawing a straight line – you draw a straight line and it's crooked and you draw another straight line on top of it and it's crooked a different way and then you draw another one and eventually you have a very rich thing on your hands which is not a straight line. If you can do that the it seems to me you are doing more than most people. The thing is, it is very difficult to know oneself whether one is doing that or not, whether you mean what you do; and there is the other problem of the way you do it and whether sometimes you do more than you mean or you do less than you mean. It's very good if you can establish a language where it's clear that that is what you are doing – that you do what you mean to do.”

Jasper Johns (1930) American artist

interview at John's studio, Billy Klüver, March 1963, as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 85
1960s

Jordan Peterson photo

“The frontier is the edge between what you know and what you don't know. You want to put yourself on that edge.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

“Art's cruel. You can get away with murder with words. But a picture is like a window straight through to your inmost heart.”

John Fowles book The Collector

Source: The Collector

“At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.”

Harold Rosenberg (1906–1978) American writer and art critic

"The American Action Painters" (1952) in Art News 51/8, Dec. 1952, p. 22; then published in Tradition of the New, 1959.

Clifford D. Simak photo

“There is a certain rapport, a sensitivity — I don't know how to say it — that forms a bridge between this strange machine and the cosmic spiritual force.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 33
Context: There is a certain rapport, a sensitivity — I don't know how to say it — that forms a bridge between this strange machine and the cosmic spiritual force. It is not the machine, itself, you understand, that reaches out and taps the spiritual force. It is the living creature's mind, aided by the mechanism, that brings the force to us.

Phil Brooks photo

“Straight edge means I'm drug free, alcohol free, and better than you.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Catchphrases
Source: Straight Edge significa che sono libero da droghe, libero dall'alcol e migliore di voi]

Clifford D. Simak photo

“It's not the machine itself that does the trick. The machine merely acts as an intermediary between the sensitive and the spiritual force.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 21
Context: It's not the machine itself that does the trick. The machine merely acts as an intermediary between the sensitive and the spiritual force. It is an extension of the sensitive. It magnifies the capability of the sensitive and acts as a link of some sort. It enables the sensitive to perform his function.

“Abstract Expressionism – especially Pollock, not the more academic painters like De Kooning – made the threshold between illusion and the stuff of painting lower, the distance between them closer. Pollock made all things about the picture, all the stuff, actual. Taking the canvas off the stretcher, putting it on the floor, made it more real. Mixing up different kinds of paint, getting it to stain in, was getting at a kind of materiality.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 14
Conversation with Karen Wilkin' (1986-1988)

George Gershwin photo

“Modern European composers…have very largely received their stimulus, their rhythms and impulses from Machine Age America. They have a much older tradition of musical technique which has helped them put into musical terms a little more clearly the thoughts that originated here. They can express themselves more glibly.”

George Gershwin (1898–1937) American composer and pianist

Page 386
The Composer in the Machine Age (1933)

Théodore Rousseau photo

“Do you see that corner of canvas there [of his painting 'La Ferme'], large as the hand, does it not seem to you that it far surpasses in intensity, in clearness, in expression, the rest of the canvas? [Sensier confirmed]. Well, then, all the rest must pass under the control of that little centre; all that which surrounds it submit itself to that diapason of light and the whole of the picture be as charged with life as that which you see there. Must we not incessantly lift ourselves, surpass ourselves, in this terrible profession of painter?”

Théodore Rousseau (1812–1867) French painter (1812-1867)

quote from a talk with Alfred Sensier, c. 1865; as cited in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, pp. 159-60
the quote is pointing to his painting 'The Farm / La Ferme', upon which Rousseau had worked for years
1851 - 1867

Related topics