“If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat. It is an unnecessary insult.”

“The boy grows upward, but the girl grows up.”

“And therefore, even though animals are in pain, they aren't aware of it. They don't have this third order pain awareness. They are not aware of pain, and therefore they do not suffer as human beings do. Now, this is a tremendous comfort to those of us who are animal lovers, like myself, or to pet owners. Even though your dog or your cat may be in pain, it isn't really aware of being in pain, and therefore it doesn't suffer as you would when you are in pain.”

“It's the hardest thing in the world to go on being aware of someone else's pain.”

“Hey, look—youris saying something."
Artemis had a vast mental reserve of scathing comebacks at his disposal, but none of them covered girlfriend insults. He wasn't even sure if it was an insult. And if it was, who was being insulted? Him or the girl?”

“Pain is a part of growing-up. It is how we learn..”

“The brightest blades grow dim with rust,
The fairest meadow white with snow.”

“She rose and looked at me with delirious black eyes, black and wanton and in a dream, her neck stretched and defining the bulging cords at her throat. she had nothing to say with her lips, but the ghastly cast of her face, the teeth too white and too big now, the frightened smile, these spoke too loudly of the horror shrouding her days and nights…As I walked toward the bed, she pulled up her knees, slipping into a crouched frightened position, as though she expected me to strike her.”

“Sometimes, life threw up problems that even the wisest, most trusted mentor couldn't solve for you. It was part of the pain of growing up.
And having to stand by and watch was part of being a mentor.”

“I grew up being aware that I was Southern, and that being a very important thing for me. And being drawn to short story writers, like Flannery O’Connor and Eudora Welty—the surroundings in their stories were so familiar to me, the whole Southern Gothic thing. That world only existed in that part of the country. It’s going to inform the personality of the songs. In a lot of my songwriting, I mention towns and places. It’s a culturally traditional thing in the South to tell stories.”