"Foreword", p. 29.
The Anarchist Cookbook (1971)
“The essence of oppression is that one is defined from the outside by those who define themselves as superior by criteria of their own choice.”
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Andrea Dworkin 84
Feminist writer 1946–2005Related quotes

Characterizations of Existentialism (1944)

"Le Contrat Social", in: Prejudices: Third Series (1922)
1920s
Context: All government, in its essence, is a conspiracy against the superior man: its one permanent object is to oppress him and cripple him. If it be aristocratic in organization, then it seeks to protect the man who is superior only in law against the man who is superior in fact; if it be democratic, then it seeks to protect the man who is inferior in every way against both. One of its primary functions is to regiment men by force, to make them as much alike as possible and as dependent upon one another as possible, to search out and combat originality among them. All it can see in an original idea is potential change, and hence an invasion of its prerogatives. The most dangerous man to any government is the man who is able to think things out for himself, without regard to the prevailing superstitions and taboos. Almost inevitably he comes to the conclusion that the government he lives under is dishonest, insane and intolerable, and so, if he is romantic, he tries to change it. And even if he is not romantic personally he is very apt to spread discontent among those who are.

“What is the essence of the director's work? We could define it as sculpting in time.”
Source: Sculpting in Time (1986), p. 63-4
Context: What is the essence of the director's work? We could define it as sculpting in time. Just as a sculptor takes a lump of marble, and, inwardly conscious of the features of his finished piece, removes everything that is not a part of it — so the film-maker, from a 'lump of time' made up of an enormous, solid cluster of living facts, cuts off and discards whatever he does not need, leaving only what is to be an element of the finished film, what will prove to be integral to the cinematic image.
context (21) “Letter”
Stand on Zanzibar (1968)

“We are defining the boundaries of normality by tearing apart the people outside it.”
Source: So You've Been Publicly Shamed

Address at the Mapai Political Committee (7 June 1938) as quoted in .
Context: In our political argument abroad, we minimize Arab opposition to us. But let us not ignore the truth among ourselves. I insist on the truth, not out of respect for scientific but political realities. The acknowledgement of this truth leads to inevitable and serious conclusions regarding our work in Palestine… let us not build on the hope the terrorist gangs will get tired. If some get tired, others will replace them.
A people which fights against the usurpation of its land will not tire so easily... it is easier for them to continue the war and not get tired than it is for us... The Palestinian Arabs are not alone. The Syrians are coming to help. From our point of view, they are strangers; in the point of law they are foreigners; but to the Arabs, they are not foreigners at all … The centre of the war is in Palestine, but its dimensions are much wider. When we say that the Arabs are the aggressors and we defend ourselves — this is only half the truth. As regards our security and life we defend ourselves and our moral and physical position is not bad. We can face the gangs... and were we allowed to mobilize all our forces we would have no doubts about the outcome... But the fighting is only one aspect of the conflict which is in its essence a political one. And politically we are the aggressors and they defend themselves. Militarily, it is we who are on the defensive who have the upper hand but in the political sphere they are superior. The land, the villages, the mountains, the roads are in their hands. The country is theirs, because they inhabit it, whereas we want to come here and settle down, and in their view we want to take away from them their country, while we are still outside. They defend bases which are theirs, which is easier than conquering new bases... let us not think that the terror is a result of Hitler's or Mussolini's propaganda — this helps but the source of opposition is there among the Arabs.

Original in French:
Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des choses.
Caiete Silvane magazine, 2008-11-01, Sculptura pe Internet http://www.caietesilvane.ro/indexcs.php?cmd=articol&idart=232,