“Funny how you notice how beautiful things are just when you're about to leave them.”
Laura Ruby American writer
Source: Bone Gap
Source: Dreamfever
“Funny how you notice how beautiful things are just when you're about to leave them.”
Laura Ruby American writer
Source: Bone Gap
Sarra Manning (1950) British writer
Source: You Don't Have to Say You Love Me
Maxfield Parrish (1870–1966) American painter and illustrator
Letter to F.W Weber (1950); published in New York—Pennsylvania Collector (8 August 1991)
Context: How do ideas come? What a question! If they come of their own accord, they are apt to arrive at the most unexpected time and place. For the most part the place is out of doors, for up in this northern wilderness when nature puts on a show it is an inspiring one. There seem to be magic days once in a while, with some rare quality of light that hold a body spellbound: In sub-zero weather there will be a burst of unbelievable color when the mountain turns a deep purple, a thing it refuses to do in summer. Then comes the hard part: how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, air and space, there is no such thing as sitting down outside and trying to make a “portrait” of it. It lasts for only a minute, for one thing, and it isn’t an inspiration that can be copied on the spot...
Joseph Campbell The Power of Myth
Source: The Power of Myth (book), Ch. 2 : The Journey Inward
Context: One thing that comes out in myths is that at the bottom of the abyss comes the voice of salvation. The black moment is the moment when the real message of transformation is going to come. At the darkest moment comes the light.
Edward Hopper (1882–1967) prominent American realist painter and printmaker
'Edward Hopper in Saõ Paulo', as cited by William C. Seitz, Smithsonian Press, Washington D.C., 1967
posthumous