“The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images.”
Source: Society of the Spectacle (1967), Ch. 1, sct. 4.
Source: The Society of the Spectacle
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Guy Debord 29
French Marxist theorist, writer, filmmaker and founding mem… 1931–1994Related quotes

“Even the relationship of a nerve stimulus to the generated image is not a necessary one.”
On Truth and Lie in an Extra-Moral Sense (1873)
Context: Between two absolutely different spheres, as between subject and object, there is no causality, no correctness, and no expression; there is, at most, an aesthetic relation: I mean, a suggestive transference, a stammering translation into a completely foreign tongue — for which I there is required, in any case, a freely inventive intermediate sphere and mediating force. "Appearance" is a word that contains many temptations, which is why I avoid it as much as possible. For it is not true that the essence of things "appears" in the empirical world. A painter without hands who wished to express in song the picture before his mind would, by means of this substitution of spheres, still reveal more about the essence of things than does the empirical world. Even the relationship of a nerve stimulus to the generated image is not a necessary one. But when the same image has been generated millions of times and has been handed down for many generations and finally appears on the same occasion every time for all mankind, then it acquires at last the same meaning for men it would have if it were the sole necessary image and if the relationship of the original nerve stimulus to the generated image were a strictly causal one. In the same manner, an eternally repeated dream would certainly be felt and judged to be reality. But the hardening and congealing of a metaphor guarantees absolutely nothing concerning its necessity and exclusive justification.

“To Hosea, marriage is the image of the relationship of God and Israel. ... Idolatry is adultery.”
Volume 1, p. 50
The Prophets (1962)
Source: 1970s, Toward a General Social Science, 1974, p. vii as cited by Debora Hammond (1995) "Perspectives from the Boulding files". In: Systems Research Vol. 12 No. 4, p. 281-290

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's

Source: Psychological Types, or, The Psychology of Individuation (1921), Ch. 5, p. 271
Context: The great problems of life — sexuality, of course, among others — are always related to the primordial images of the collective unconscious. These images are really balancing or compensating factors which correspond with the problems life presents in actuality. This is not to be marvelled at, since these images are deposits representing the accumulated experience of thousands of years of struggle for adaptation and existence.
L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS , New York 1985 ISBN 9780404615796