“There were hundreds of them spread across the floor, each telling its own tale of triumph or sadness, each letter representing a phase in her life. She had kept them all.”

"The Worshippers", p. 87
On the Edge of the Cliff: Short Stories (1979)

Source: The Virgin Suicides

On Writing Poetry (1995)

Djuna Barnes quoted in Irene Gammel, Baroness Elsa: Gender, Dada and Everyday Modernity, p 17.
About

Sketchbook 1946-1949

Source: Steve Reich, ‎Paul Hillier (2002) Writings on Music, 1965-2000, p. 20

The Second Sex (1949)
Context: It is nonsense to assert that revelry, vice, ecstasy, passion, would become impossible if man and woman were equal in concrete matters; the contradictions that put the flesh in opposition to the spirit, the instant to time, the swoon of immanence to the challenge of transcendence, the absolute of pleasure to the nothingness of forgetting, will never be resolved; in sexuality will always be materialised the tension, the anguish, the joy, the frustration, and the triumph of existence. To emancipate woman is to refuse to confine her to the relations she bears to man, not to deny them to her; let her have her independent existence and she will continue none the less to exist for him also: mutually recognising each other as subject, each will yet remain for the other an other. The reciprocity of their relations will not do away with the miracles — desire, possession, love, dream, adventure — worked by the division of human beings into two separate categories; and the words that move us — giving, conquering, uniting — will not lose their meaning. On the contrary, when we abolish the slavery of half of humanity, together with the whole system of hypocrisy that it implies, then the 'division' of humanity will reveal its genuine significance and the human couple will find its true form.