
“Innocence ends when one is stripped of the delusion that one likes oneself.”
Source: On Self-Respect
Source: Lolly Willowes
“Innocence ends when one is stripped of the delusion that one likes oneself.”
Source: On Self-Respect
“The exercise of freedom consists in stripping oneself of one's own will.”
Source: Pilgrim of the Absolute (1947), p. 292
Variants (these could be paraphrases or differing translations): The belief that there is only one truth and that oneself is in possession of it seems to me the deepest root of all evil that is in the world.
The belief that there is only one truth, and that oneself is in possession of it, is the root of all evil in the world.
Source: Natural Philosophy of Cause and Chance (1964), p. 230, also in My Life and Views (1968), p. 183
The Black Prince (1973); 2003, p. 10.
Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.
Quoted in Edith Sitwell, a Unicorn Among Lions (1981) by Victoria Glendinning, p. 54, and in An Uncommon Scold (1989) by Abby Adams, p. 74
What Life Has Taught Me
Autobiography of Swami Sivananda (1958)