“That's the writer's game: everything is about us.”

Source: "Exclusive: How Squid Game’s Hoyeon Jung Went from Model to Star of Netflix’s Biggest Hit" in Vogue https://www.vogue.com/article/squid-game-star-hoyeon-jung-interview (7 October 2021)

AI Podcast, December 30, 2019, Algorithms, Complexity, Life, and The Art of Computer Programming https://www.youtube.com/watch?v=2BdBfsXbST8,

MySpace blog, 09 April 2007

As quoted in French Writers of the Past (2000) by Carol A. Dingle, p. 126
Context: The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

"Non-cooperative Games" in Annals of Mathematics, Vol. 54, No. 2 (September 1951)<!-- ; as cited in Can and should the Nash program be looked at as a part of mechanism theory? (2003) by Walter Trockel -->
1950s
Context: The writer has developed a “dynamical” approach to the study of cooperative games based upon reduction to non-cooperative form. One proceeds by constructing a model of the preplay negotiation so that the steps of negotiation become moves in a larger non-cooperative game [which will have an infinity of pure strategies] describing the total situation. This larger game is then treated in terms of the theory of this paper [extended to infinite games] and if values are obtained they are taken as the values of the cooperative game. Thus the problem of analyzing a cooperative game becomes the problem of obtaining a suitable, and convincing, non-cooperative model for the negotiation.
The writer has, by such a treatment, obtained values for all finite two-person cooperative games, and some special n-person games.

Source: It's Not Summer Without You

Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]

Source: The Jungle