“Maybe my style is a bit more like an American style. I suppose I am more enthusiastic.”
Ian Darke (1950) British association football and boxing commentator
2010s, 2014, Voice of the Americans (2014)
Source: Timelike Infinity (1992), Chapter 12 (p. 266)
“Maybe my style is a bit more like an American style. I suppose I am more enthusiastic.”
Ian Darke (1950) British association football and boxing commentator
2010s, 2014, Voice of the Americans (2014)
Walter Bagehot (1826–1877) British journalist, businessman, and essayist
Wordsworth, Tennyson and Browning
Literary Studies (1879)
On how he defines good storytelling in “San Jose’s Christopher Oscar Peña no longer ‘Insecure’ about work” https://www.sfchronicle.com/tv/article/San-Jose-s-Christopher-Oscar-Pe-a-no-longer-11297163.php in SF Gate (2017 Jul 18)
Katherine Paterson book The Great Gilly Hopkins
Gilly Hopkins and Trotter
The Great Gilly Hopkins (1978)
George Woodcock (1912–1995) Canadian writer of political biography and history, an anarchist thinker, an essayist and literary critic
Prologue
Anarchism : A History of Libertarian Ideas and Movements (1962)
Context: It is the general idea put forward by Proudhon in 1840 that unites him with the later anarchists, with Bakunin and Kropotkin, and also with certain earlier and later thinkers, such as Godwin, Stirner, and Tolstoy, who evolved anti-governmental systems without accepting the name of anarchy; and it is in this sense that I shall treat anarchism, despite its many variations: as a system of social thought, aiming at fundamental changes in the structure of society and particularly — for this is the common element uniting all its forms — at the replacement of the authoritarian state by some form of non-governmental cooperation between free individuals.
“Much of what we do at any level is a bit like that, I fancy. But hard to know which is which.”
Ted Hughes (1930–1998) English poet and children's writer
The Paris Review interview
Context: Many writers write a great deal, but very few write more than a very little of the real thing. So most writing must be displaced activity. When cockerels confront each other and daren’t fight, they busily start pecking imaginary grains off to the side. That’s displaced activity. Much of what we do at any level is a bit like that, I fancy. But hard to know which is which. On the other hand, the machinery has to be kept running. The big problem for those who write verse is keeping the machine running without simply exercising evasion of the real confrontation. If Ulanova, the ballerina, missed one day of practice, she couldn’t get back to peak fitness without a week of hard work. Dickens said the same about his writing—if he missed a day he needed a week of hard slog to get back into the flow.