“All this will have left you disposed to understand one of our principal Futurist efforts, which consists of abolishing in literature the apparently indissoluble fusion of the two concepts of Woman and Beauty.”

—  Filippo Tommaso Marinetti

This ideological a fusion has reduced all romance to a sort of heroic assault that a bellicose and lyrical male launches against a tower that bristles with enemies, a story which ends when the hero, now beneath starlight, carries the divine Beauty-Woman away to new heights. Novels such as Toilers of the Sea by Victor Hugo or Salammbô by Flaubert can clarify my point. It is a matter of a dominant leitmotif, already worn out,c of which we would like to disencumber literature and art in general.
1910's, Multiplied Man and the Reign of the Machine' 1911
Source: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 89

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "All this will have left you disposed to understand one of our principal Futurist efforts, which consists of abolishing …" by Filippo Tommaso Marinetti?
Filippo Tommaso Marinetti photo
Filippo Tommaso Marinetti27
Italian poet and editor, founder of the Futurist movement 1876–1944

Related quotes

Filippo Tommaso Marinetti photo

“All this will have left you disposed to understand one of our principal Futurist efforts, which consists of abolishing in literature the apparently indissoluble fusion of the two concepts of Woman and Beauty. This ideological a fusion has reduced all romance to a sort of heroic assault that a bellicose and lyrical male launches against a tower that bristles with enemies, a story which ends when the hero, now beneath starlight, carries the divine Beauty-Woman away to new heights. Novels such as Toilers of the Sea by Victor Hugo or Salammbô by Flaubert can clarify my point. It is a matter of a dominant leitmotif, already worn out, c of which we would like to disencumber literature and art in general.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's, Multiplied Man and the Reign of the Machine' 1911
Source: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 89

Blaise Pascal photo

“No one is ignorant that there are two avenues by which opinions are received into the soul, which are its two principal powers: the understanding and the will.”

Blaise Pascal (1623–1662) French mathematician, physicist, inventor, writer, and Christian philosopher

The Art of Persuasion

Joseph Conrad photo

“Being a woman is a terribly difficult trade since it consists principally of dealings with men.”

Joseph Conrad book Chance

Source: Chance (1913) part II, Ch. 5

“Sound poetry is a fusion of music and literature.”

Dick Higgins (1938–1998) English composer and poet

The Origin of Happenings (1976)
Variant: Concrete poetry is a fusion of visual art and poetry.

William Wilberforce photo

“Selfishness is one of the principal fruits of the corruption of human nature; and it is obvious that selfishness disposes us to over-rate our good qualities, and to overlook or extenuate our defects.”

William Wilberforce (1759–1833) English politician

Source: Real Christianity

Umberto Boccioni photo

“Get all the information you can about the Cubists, and about Georges Braque and Pablo Picasso. Go to Kahnweilers' (Paris art gallery). And if he's got photos of recent works – produced after I have left -, buy one or two. Bring us [the Futurists in Italy, like Boccioni himself] back all the information you can get.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Quote in Boccioni's letter to Gino Severini, staying in Paris in the Summer of 1911; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 27.
1911

“Much of the effort of modern politicians is devoted to convincing us that men serve best when they are serving one another. But the one consideration which would make this true is left out; service to others is the best service when the effort of all is subsumed under a transcendental conception. Material gratification does not provide this.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), p. 77.

Mao Zedong photo

“If in any process there are a number of contradictions, one of them must be the principal contradiction playing the leading and decisive role, while the rest occupy a secondary and subordinate position. Therefore, in studying any complex process in which there are two or more contradictions, we must devote every effort to finding its principal contradiction. Once this principal contradiction is grasped, all problems can be readily solved.”

Mao Zedong book On Contradiction

On Contradiction (1937)

Louis Tronson photo

“Have we condemned the world's sentiments? Are we opposed to its maxims? And have we made all our efforts to abolish its laws and overturn its accursed customs?”

Louis Tronson (1622–1700) French Roman Catholic priest

Avons-nous condamné ses sentimens? Nous sommes-nous opposés à ses maximes? Et avons-nous fait tous nos efforts pour abolir ses lois et renverser ses maudites coutumes? <br class="br">Examens particuliers sur divers sujets, p. 321 http://books.google.com/books?id=esY9AAAAIAAJ&amp;pg=PA321 <br class="br">Examens particuliers sur divers sujets [Examination of Conscience upon Special Subjects] (1690)

Henry Flynt photo

“Concept art was meant to replace all of mathematics with an endeavor which involved a Rorschach-blot semantics; and which did not claim to be cognitive, at least not in the inherited sense. Mathematics had already been disconnected from claims of realism; and I was extending that disavowal to a disconnection from claims of a priori truth. Concept art's value consisted in beauty, a beauty which was non-sentimental. Later I would say that its value consisted in "the invention of new mental abilities."”

Henry Flynt (1940) American musician

Popularity had nothing to do with whether this avenue was worth taking. <br class="br">Henry Flynt. &quot; The Crystallization of Concept Art in 1961 http://www.henryflynt.org/meta_tech/crystal.html,&quot; at henryflynt.org, 1994.

Related topics