
“Helnwein is a very fine artist and one sick motherfucker.”
Robert Crumb, letter to his San Francisco art-dealer Martin Muller, 1992
Peter Gorsen, about the depiction of wounded children in Helnwein's work, Albertina Museum catalogue, Gottfried Helnwein solo-exhibition, 1985, www.gottfried-helnwein-child.com http:////www.gottfried-helnwein-child.com/index.html
“Helnwein is a very fine artist and one sick motherfucker.”
Robert Crumb, letter to his San Francisco art-dealer Martin Muller, 1992
Kulturphilosophie (1923), Vol. 2 : Civilization and Ethics
The Art of Living: Living within the Laws of Life (2006)
Source: Why Stock Markets Crash - Critical Events in Complex Systems (2003), Chapter 5, Modeling Financial Bubbles And Market Crashes, p. 134.
Source: 1950s, The Organizational Revolution: A study in the ethics of economic organization, 1953, p. 10 as cited in: Joseph T. Mahoney & Anne S. Huff (1993) Toward a New Social Contract. Theory in Organization Science https://ideals.illinois.edu/bitstream/handle/2142/30105/towardnewsocialc93136maho.pdf?sequence=2 Faculty paper, University of Illinois at Urbana
Source: Who Is Man? (1965), Ch. 5<!-- The sense of the ineffable, p. 90 -->
Context: In English the phrase that a person has "a presence" is hard to define. There are people whose being here and now is felt, even though they do not display themselves in action and speech. They have a "presence." … Of a person whose outwardness communicates something of his indwelling power or greatness, whose soul is radiant and conveys itself without words, we say he has presence.
Standing face to face with the world, we often sense a presence which surpasses our ability to comprehend. The world is too much with us. It is crammed with marvel. There is a glory, an aura, that lies about all beings, a spiritual setting of reality.
To the religious man it is as if things stood with their backs to him, their faces turned to God, as if the glory of things consisted in their being an object of divine care.