Beautiful Losers (1966)
Context: What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.
“Fucking is possible everywhere, but love is only possible remotely.”
Statek (1994)
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Waldemar Łysiak 4
Polish art historian 1944Related quotes
De Abaitua interview (1998)
Context: Mental space and its existence is what makes things like remote viewing possible. There shouldn’t be any limit to it. As I understand mental space, one of the differences between it and physical space, is that there is no space in it. All the distances are associative. In the real world, Land's End and John O’Groats are famously far apart. Yet you can’t say one without thinking of the other. In conceptual space they are right next to one another. Distances can only be associative, even vast interstellar distances shouldn’t be a problem. Time would also function like this.
“Consciousness is only possible through change; change is only possible through movement.”
Source: The Art of Seeing
“Overcoming prejudice: the only possible way through love, which creates no graven images.”
Sketchbook 1946-1949
Out of Their Own Mouths: A Revelation and an Indictment of Sovietism, New York: NY, E.P Dutton and Company (1921) p. 87, co-authored with William English Walling.