“It took me back more than 40 years when I first heard her at a Sangeet Mahotsav organised by the state government in Bombay, as it was called then. The khayal in Shuddha Kalyan captured me and I remained a lifelong fan. The beauty of Shuddha Kalyan lies in the swaras of mandra saptak and in the meends relating to nishad andmadhyam, which she could exploit well with her bass voice.”

Source: The Perks of Being a Wallflower

Source: The Notebook

Source: Lit

Source: Sweet Thursday

The Great Wide World Over There (1953)
The Golden Apples of the Sun (1953)

Bk. 12, p. 2098
Acts and Monuments (1563)

Quand je me joue à ma chatte, qui sait si elle passe son temps de moi, plus que je ne fais d'elle.
Book II, Ch. 12
The 1595 edition adds: “We entertain each other with reciprocal monkey tricks. If I have my time to begin or to refuse, so has she hers.” As quoted in Jacques Derrida, The Animal That Therefore I Am https://books.google.it/books?id=y8Drc-QghEIC&pg=PT21, trans. David Wills, Fordham University Press, 2008.
Essais (1595), Book II

Somebody to Love? (1998)
Context: Janis knew more than I did about "how it was", but she lacked enough armor for the inevitable hassles. She was open and spontaneous enough to get her heart trampled with a regularity that took me thirty years to experience or understand. On the various occasions when we were together, she seemed to be holding in something she thought I might not want to hear, like older people do when they hear kids they love saying with absolute youthful confidence, "Oh, that'll never happen to me." Sometimes you know you can't tell them how it is, they have to find out for themselves. Janis felt like an old soul, a wisecracking grandmother whom everybody loved to visit. When I was with her, I often felt like a part of her distant family, a young upstart relative who was still too full of her own sophistry to hear wisdom.
Did we compliment each other? Yes, but not often enough.

Ask the Dust (1939)