“He was one of the earliest South Indian Classical w:MusiciansMusicians to perform abroad. He has acted in films, sung for films and even scored the music for films. Apart from his own compositions numbering more than two hundred, he has breathed life into compositions of other composers whose original tunes were lost in the sands of time like w:Narayana TeerthaNarayana Theertha, Annammaachaarya, Purandara Daasa, Kaiwara Amara Nareyana, Kaiwara Amara Nareyana, Sadasiva Brahmendra, Bhadraachala Raamadaas and Maharajah Sri Swathi Thirunal.”

Prince Rama Varma in: "Murali And Me: A tribute by Prince Rama Varma".

Adopted from Wikiquote. Last update June 3, 2021. History

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M. Balamuralikrishna17

Carnatic vocalist, instrumentalist and playback singer 1930–2016

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“Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.”

Ralph Vaughan Williams (1872–1958) English composer

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“Mani Kaul was one of the greatest auteurs of New Wave Indian Cinema. His films reflected his personal creative vision. Kaul was a man with a luminous mind who pioneered the parallel cinema movement in India. His films explored a new language and expression. Innovative imagery, vocabulary and experimentation were his forte. His debut film Uski Roti was a landmark film in Indian cinema. He was deeply influenced by Robert Bresson, Andrei Tarkovsky and Ritwik Ghatak, though he made a mark of his own.”

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“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was 'turned on' by a libretto. The most difficult problem in music is form, and in a film you already have this problem solved for you. You are presented with a basic structure, a blueprint, and provided the film has been well put together, well edited, it often suggests its own rhythms and tempo. The quality of the music is strictly up to the composer. Many people seem to assume that because film music serves the visual it must be something of secondary value. Well, the function of any art is to serve a purpose in society. For many years, music and painting served religion. The thing to bear in mind is that film is the youngest of the arts, and that scoring is the youngest of the music arts. We have a great deal of development ahead of us.”

Jerry Goldsmith (1929–2004) film composer

ibid., p. 209

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Akira Ifukube (1914–2006) Japanese composer

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“You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account”

Jerry Goldsmith (1929–2004) film composer

ibid., p. 209
On Goldsmith's irritation at the lack of response from responsible critics

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M. Balamuralikrishna17

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