"Introduction" to the French edition (1974) of Crash (1973); reprinted in Re/Search no. 8/9 (1984)
Crash (1973)
Context: We live in a world ruled by fictions of every kind — mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
“Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.”
"Inner Landscape : Interview with J.G. Ballard" by Robert Lightfoot and David Pendleton, in Friends No. 17 (30 October 1970) http://www.jgballard.ca/media/1970_oct_friends_magazine.html; also quoted in The Columbia Dictionary of Quotations (1993) by Robert Andrews
Context: A hundred years ago one has the impression that people had made a clear distinction between the outer world of work and of agriculture, commerce and social relationships — which was real — and the inner world of their own minds, day-dreams and hopes. Fiction on the one hand; reality on the other. This reality which surrounded individuals, the writer's role of inventing a fiction that encapsulated various experiences going on in the real world and dramatising them in fictional form, worked. Now the whole situation has been reversed. The exterior landscapes of the seventies are almost entirely fictional ones created by advertising, mass merchandising… politics conducted as advertising. It is very difficult for the writer.
Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.
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J. G. Ballard 78
British writer 1930–2009Related quotes
“The only difference between reality and fiction is that fiction needs to be credible.”
“Science fiction offers its writers chances of embarrassment that no other form of fiction does.”
Robot Dreams (1986), introduction
General sources
“Like most science-fiction writers, Trout knew almost nothing about science.”
Breakfast of Champions (1973)
“Morality and literature,” pp. 161-162
On Science, Necessity, and the Love of God (1968)
Context: It is not only in literature that fiction generates immorality. It does it also in life itself. For the substance of our life is almost exclusively composed of fiction. We fictionalize our future, and, unless we are heroically devoted to truth, we fictionalize our past, refashioning it to our taste. We do not study other people; we invent what they are thinking, saying, and doing. Reality provides us with some raw material, just as novelists often take a theme from a news item, but we envelop it in a fog in which, as in all fiction, values are reversed, so that evil is attractive and good is tedious.
“fiction always surpasses reality but reality is always richer than fiction.”
Source: Outlaws
“The difference between reality and fiction? Fiction has to make sense.”
Attributed to an interview on Larry King Live; also quoted in Quotable Quotes (1997) edited by Deborah Deford
Attributed variant: The difference between fiction and reality is that fiction has to make sense.
Clancy here expresses an idea evoked in similar statements made by others, all derived from the orignial made by Lord Byron:
Lord Byron: Truth is always strange; stranger than fiction.
Mark Twain: Truth is stranger than fiction, but it is because fiction is obliged to stick to possibilities, truth isn't.
G. K. Chesterton: Truth must necessarily be stranger than fiction, for fiction is the creation of the human mind and therefore congenial to it.
Leo Rosten: Truth is stranger than fiction; fiction has to make sense. (attributed)
1990s
The Question I Get Asked Most Often in The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination (2004)
In Joy Still Felt (1980), pp. 286-287
General sources