
Source: The Revolution of Nihilism: Warning to the West (1939), p. 27
Author's note, p. 367
The Abyss (1968)
Context: In alchemical treatises, the formula L'Oeuvre au Noir … designates what is said to be the most difficult phase of the alchemist's process, the separation and dissolution of substance. It is still not clear whether the term applied to daring experiments on matter itself, or whether it was understood to symbolize trials of the mind in discarding all forms of routine and prejudice. Doubtless it signified one or the other meaning alternately, or perhaps both at the same time.
Source: The Revolution of Nihilism: Warning to the West (1939), p. 27
Source: Computer-Aided Design: A Statement of Objectives (1960), p. 1.
Ben Horowitz, " What’s The Most Difficult CEO Skill? Managing Your Own Psychology http://www.bhorowitz.com/what_s_the_most_difficult_ceo_skill_managing_your_own_psychology," at bhorowitz.com, March 31, 2011.
Concepts
Source: https://www.youtube.com/watch?v=Ifi5KkXig3s "Biblical Series IV: Adam and Eve: Self-Consciousness, Evil, and Death"
As translated by Arthur Imerti (1964)
The Expulsion of the Triumphant Beast (1584)
“Evolution is a design process; it’s just not an intelligent design process.”
The Righteous Mind: Why Good People Are Divided by Politics and Religion
Meditation Symbols in Eastern & Western Mysticism (1988)
Context: The alchemical tradition assumes that every physical art or science is a body of knowledge which exists only because it is ensouled by invisible powers and processes. Physical chemistry, as it is practiced in the modern world, is concerned principally with pharmaceutical or industrial research projects. It is confined within the boundaries of an all-pervading materialism, which binds labor to the advancement of physical objectives.
"Drifters, Dopes and Dopers," review of 8 Million Ways to Die (1986-05-19), p. 156.
Hooked (1989)
Jesús Gil (29/10/99)
(Not) the Raúl thing http://sport.independent.co.uk/football/european/article625619.ece, The Independent, June 6, 2006
About
KSCA interview (1996)
Context: There is no set sort of rules, or no set sort of formula to the way we work in the studio... so it's difficult to know... what we'll move on to next. We don't like to say, "Never, no we'd never do this"... But, we... like the setup as far as there's only three people in the studio... because the work is very personal, very intimate, very emotional... and that is very important to the album.