The Tall Office Building Artistically Considered (1896)
Context: All things in nature have a shape, that is to say, a form, an outward semblance, that tells us what they are, that distinguishes them from ourselves and from each other.
Unfailingly in nature these shapes express the inner life, the native quality, of the animal, tree, bird, fish, that they present to us; they are so characteristic, so recognizable, that we say simply, it is "natural" it should be so. Yet the moment we peer beneath this surface of things, the moment we look through the tranquil reflection of ourselves and the clouds above us, down into the clear, fluent, unfathomable depth of nature, how startling is the silence of it, how amazing the flow of life, how absorbing the mystery! Unceasingly the essence of things is taking shape in the matter of things, and this unspeakable process we call birth and growth. Awhile the spirit and the matter fade away together, and it is this that we call decadence, death. These two happenings seem jointed and interdependent, blended into one like a bubble and its iridescence, and they seem borne along upon a slowly moving air. This air is wonderful past all understanding.
Yet to the steadfast eye of one standing upon the shore of things, looking chiefly and most lovingly upon that side on which the sun shines and that we feel joyously to be life, the heart is ever gladdened by the beauty, the exquisite spontaneity, with which life seeks and takes on its forms in an accord perfectly responsive to its needs. It seems ever as though the life and the form were absolutely one and inseparable, so adequate is the sense of fulfillment.
Source: The Idea of a Christian Society (1939), Ch. IV, p. 61
“Nature forms us for ourselves, not for others; to be, not to seem.”
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)
Source: The Journals Of Anais Nin
“Nature forms us for ourselves, not for others; to be, not to seem.”
Book II, Ch. 37. Of the Resemblance of Children to their Brothers
Essais (1595), Bartlett's Familiar Quotations, 10th ed. (1919)
Section III, Chap. I.
The Theory of Moral Sentiments (1759), Part II
"Chateaubriand's English Literature" (1839), p. 245.
Biographical and Critical Miscellanies
Principles of Biochemistry, Ch. 1 : The Foundations of Biochemistry
Quote from a speech of Ferdinand Hodler: 'The artist's mission' (held in Freibourg in 1897), first published in 1923 in Zurich; as cited by Paul Westheim in Confessions of Artists - Letters, Memoirs and Observations of Contemporary Artists, Propyläen Publishing House, Berlin, 1925
Qu’est-ce que la tolérance? c’est l’apanage de l’humanité. Nous sommes tous pétris de faiblesses et d’erreurs; pardonnons-nous réciproquement nos sottises, c’est la première loi de la nature.
"Tolerance" (1764)
Citas, Dictionnaire philosophique (1764)
Part II. About painting : VI. The language of Form and Colour : Footnote
Similar quote in another translation:
There is no form, there is nothing in the world which says nothing. Often - it is true - the message does not reach our soul, either because it has no meaning in and for itself, or - as is more likely – because it has not been conveyed to the right place.. .Every serious work rings inwardly, like the calm and dignified words: 'Here I am!'
Partly cited in: Raymond Firth (2011) Symbols: Public and Private, p. 43
1910 - 1915, Concerning the Spiritual in Art, 1911
