
“Nature never makes blunders; when she makes a fool she means it.”
Affurisms. From Josh Billings: His Sayings (1865)
Source: 1830s, Nature http://www.emersoncentral.com/nature.htm (1836), Ch. 1, Nature
Context: The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood.
“Nature never makes blunders; when she makes a fool she means it.”
Affurisms. From Josh Billings: His Sayings (1865)
Ideology and Utopia (1929)
Context: This first non-evaluative insight into history does not inevitably lead to relativism, but rather to relationism. Knowledge, as seen in the light of the total conception of ideology, is by no means an illusory experience, for ideology in its relational concept is not at all identical with illusion. Knowledge arising out of our experience in actual life situations, though not absolute, is knowledge none the less. The norms arising out of such actual life situations do not exist in a social vacuum, but are effective as real sanctions for conduct. Relationism signifies merely that all of the elements of meaning in a given situation have reference to one another and derive their significance from this reciprocal interrelationship in a given frame of thought. Such a system of meanings is possible and valid only in a given type of historical existence, to which, for a time, it furnishes appropriate expression. When the social situation changes, the system of norms to which it had previously given birth ceases to be in harmony with it. The same estrangement goes on with reference to knowledge and to the historical perspective. All knowledge is oriented toward some object and is influenced in its approach by the nature of the object with which it is pre-occupied. But the mode of approach to the object to be known is dependent upon the nature of the knower.
“Nature always wears the colors of the spirit.”
“I was not influenced by composers as much as by natural objects and physical phenomena.”
Interview with Gunther Schuller (1965, p. 34), quoted in Sound Structure in Music (1975) bu Robert Erickson; University of California Press. .
Context: I was not influenced by composers as much as by natural objects and physical phenomena. As a child, I was tremendously impressed by the qualities and character of the granite I found in Burgundy, where I often visited my grandfather... So I was always in touch with things of stone and with this kind of pure structural architecture — without frills or unnecessary decoration. All of this became an integral part of my thinking at a very early stage.
“And force them, though it was in spite
Of Nature and their stars, to write.”
Canto I, line 647
Source: Hudibras, Part I (1663–1664)
Context: The beginnings of science have often the appearance of chance. A felicitous accident throws a certain natural fact under the notice of an inquiring and philosophic mind. Attention is awakened and investigation provoked. Similar phenomena under varied circumstances are eagerly sought for; and if in the natural course of events they do not present themselves, circumstances are designedly arranged so as to bring about their production. The seeds of science are thus sown, and soon begin to germinate.