
Variant translation: The secret of the demagogue is to make himself as stupid as his audience so that they believe they are as clever as he.
Half-Truths and One-And-A-Half Truths (1976)
Superman Comes to the Supermarket (1960)
Context: A hero can capture the secret imagination of a people, and so be good for the vitality of his nation; a hero embodies the fantasy and so allows each private mind the liberty to consider its fantasy and find a way to grow. Each mind can become more conscious of its desire and waste less strength in hiding from itself.
Variant translation: The secret of the demagogue is to make himself as stupid as his audience so that they believe they are as clever as he.
Half-Truths and One-And-A-Half Truths (1976)
Family Leadership Summit 2015, quoted in
2010s, 2015
“I imagine that a hero is a man who does what he can. The others do not do it.”
Gottfried to Jean-Christophe. Part 3: Ada
Variant translation: A hero is one who does what he can. The others don't.
As quoted in A Book of French Quotations (1963) by Norbert Guterman, p. 365
Jean-Christophe (1904 - 1912), Youth (1904)
Context: You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
Remarks on the Royal birth http://www.telegraph.co.uk/news/uknews/kate-middleton/10196324/David-Camerons-statement-on-the-royal-birth.html (22 July 2013)
2010s, 2013
Source: 1980s, The Ecstasy of Communication (1987), p. 65
The transference-object is then a natural fetishization for man’s highest yearnings and strivings. Again we see what a marvelous “talent” transference is. It is a form of creative fetishism, the establishment of a locus from which our lives can draw the powers they need and want. What is more wanted than immortality-power? How wonderful and how facile to be able to take our whole immortality-striving and make it part of a dialogue with a single human being. We don’t know, on this planet, what the universe wants from us or is prepared to give us. We don’t have an answer to the question that troubled Kant of what our duty is, what we should be doing on earth. We live in utter darkness about who we are and why we are here, yet we know it must have some meaning. What is more natural, then, than to take this unspeakable mystery and dispel it straightaway by addressing our performance of heroics to another human being, knowing thus daily whether this performance is good enough to earn us eternity. If it is bad, we know that it is bad by his reactions and so are able instantly to change it.
Source: The Denial of Death (1973), The Spell Cast by Persons—The Nexus of Unfreedom
“How potent is the fancy! People are so impressionable, they can die of imagination.”
Superman Comes to the Supermarket (1960)