
The Wonder
Epitaphs of the War (1914-1918) (1918)
Jane to Mr. Rochester (Ch. 23)
Jane Eyre (1847)
Context: Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!
The Wonder
Epitaphs of the War (1914-1918) (1918)
1927. Ich stand an deinem Grab; im glastenden Sonnenschein lag ein stiller, grüner Hügel. Und predigte Vergänglichkeit.
Meine Antwort war: Auferstehung.
Michael: a German fate in diary notes (1926)
“When you are dead your spirit will find my spirit,
And then we shall die no more.”
The House of Dust (1916 - 1917)
Other
Ich spreche von jener Religion, in deren ersten Dogmen eine Verdammnis alles Fleisches enthalten ist, und die dem Geiste nicht bloß eine Obermacht über das Fleisch zugesteht, sondern auch dieses abtöten will, um den Geist zu verherrlichen; ich spreche von jener Religion, durch deren unnatürliche Aufgabe ganz eigentlich die Sünde und die Hypokrisie in die Welt gekommen, indem eben durch die Verdammnis des Fleisches die unschuldigsten Sinnenfreuden eine Sünde geworden und durch die Unmöglichkeit, ganz Geist zu sein, die Hypokrisie sich ausbilden mußte.
Source: The Romantic School (1836), p. 3
"Printing and Paper Making" in The Common School Journal Vol. V, No. 3 (1 February 1843)
Context: Every school boy and school girl who has arrived at the age of reflection ought to know something about the history of the art of printing, papermaking, and so forth. … All children will work better if pleased with their tools; and there are no tools more ingeniously wrought, or more potent than those which belong to the art of the printer. Dynasties and governments used to be attacked and defended by arms; now the attack and the defence are mainly carried on by types. To sustain any scheme of state policy, to uphold one administration or to demolish another, types, not soldiers, are brought into line. Hostile parties, and sometimes hostile nations, instead of fitting out martial or naval expeditions, establish printing presses, and discharge pamphlets or octavoes at each other, instead of cannon balls. The poniard and the stiletto were once the resource of a murderous spirit; now the vengeance, which formerly would assassinate in the dark, libels character, in the light of day, through the medium of the press.
But through this instrumentality good can be wrought as well as evil. Knowledge can be acquired, diffused, perpetuated. An invisible, inaudible, intangible thought in the silent chambers of the mind, breaks away from its confinement, becomes imbodied in a sign, is multiplied by myriads, traverses the earth, and goes resounding down to the latest posterity.
James A. Wiseman, Jan Van Ruusbroec (Classics of Western spirituality, 1985), p. 148
The Spiritual Espousals (c. 1340)