
“When no point of a line is at a finite distance, the line itself is at an infinite distance.”
Brouillion project (1639) as quoted by Harold Scott MacDonald Coxeter, Projective Geometry (1987)
"De la Ligne" in La Difficulté d’Etre [The Difficulty of Being] (1947)
Context: What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.
“When no point of a line is at a finite distance, the line itself is at an infinite distance.”
Brouillion project (1639) as quoted by Harold Scott MacDonald Coxeter, Projective Geometry (1987)
“Each person must live their life as a model for others.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
How could you talk to a man like that?
Referring to Eamon de Valera in conversation with Michael Hayes, at the debates over the Anglo-Irish Treaty in 1921
Michael Hayes Papers, P53/299, UCDA
Quoted in Doherty, Gabriel and Keogh, Dermot (2006). Michael Collins and the Making of the Irish State. Mercier Press, p. 153.
Geometry as a Branch of Physics (1949)
Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist.
Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm
Lectures on Aesthetics (1835)