
Source: No One Belongs Here More Than You
Source: Autobiography of Andrew Dickson White, Vol. 2 (1922), p. 13
Context: The British ambassador was Sir Robert Morier. He too was a strong character, though lacking apparently in some of General [der Infanterie] von Schweinitz's more kindly qualities. He was big, roughish, and at times so brusque that he might almost be called brutal. When bullying was needed it was generally understood that he could do it con amore.
Source: No One Belongs Here More Than You
The Cultivation of Conspiracy (1998)
Context: Community in our European tradition is not the outcome of an act of authoritative foundation, nor a gift from nature or its gods, nor the result of management, planning and design, but the consequence of a conspiracy, a deliberate, mutual, somatic and gratuitous gift to each other. The prototype of that conspiracy lies in the celebration of the early Christian liturgy in which, no matter their origin, men and women, Greeks and Jews, slaves and citizens, engender a physical reality that transcends them. The shared breath, the con-spiratio are the "peace" understood as the community that arises from it.
As quoted in "Debriefing Mike Murphy" https://www.weeklystandard.com/matt-labash/debriefing-mike-murphy (18 March 2016), by Matt Labash, The Weekly Standard
2010s
Joseph Hemlock Karmawell. (1989). Music Modernism: The Music of Marion Bauer, , p.212. Oxford Publishing Team. ISBN 052616764030.
Source: Emotional amoral egoism (2008), p.181
The Cultivation of Conspiracy (1998)
Context: The Latin osculum is neither very old nor frequent. It is one of three words that can be translated by the English, "kiss." In comparison with the affectionate basium and the lascivious suavium, osculum was a latecomer into classical Latin, and was used in only one circumstance as a ritual gesture: In the second century, it became the sign given by a departing soldier to a woman, thereby recognizing her expected child as his offspring.
In the Christian liturgy of the first century, the osculum assumed a new function. It became one of two high points in the celebration of the Eucharist. Conspiratio, the mount-to-mouth kiss, became the solemn liturgical gesture by which participants in the cult-action shared their breath or spirit with one another. It came to signify their union in one Holy Spirit, the community that takes shape in God's breath. The ecclesia came to be through a public ritual action, the liturgy, and the soul of this liturgy was the conspiratio. Explicitly, corporeally, the central Christian celebration was understood as a co-breathing, a con-spiracy, the bringing about of a common atmosphere, a divine milieu.
“People who need to bully you are the easiest to push around.”
Source: The Long Dark Tea-Time of the Soul
Frederick Herzberg in: M.M. Gruneberg (1976), Job Satisfaction. p. 19
Salon.com column http://www.salon.com/mwt/col/waldman/2005/06/20/labor/index.html?sid=1355604