“The river was mortal and immortal as life, as becoming.”
Autobiography of Values (1978)
Context: I know myself as mortal, but this raises the question: "What is I?" Am I an individual, or am I an evolving life stream composed of countless selves? … As one identity, I was born in AD 1902. But as AD twentieth-century man, I am billions of years old. The life I consider as myself has existed though past eons with unbroken continuity. Individuals are custodians of the life stream — temporal manifestations of far greater being, forming from and returning to their essence like so many dreams. … I recall standing on the edge of a deep valley in the Hawaiian island of Maui, thinking that the life stream is like a mountain river — springing from hidden sources, born out of the earth, touched by stars, merging, blending, evolving in the shape momentarily seen. It is molecules probing through time, found smooth-flowing, adjusted to shaped and shaping banks, roiled by rocks and tree trunks — composed again. Now it ends, apparently, at a lava brink, a precipitous fall.
Near the fall's brink, I saw death as death cannot be seen. I stared at the very end of life, and at life that forms beyond, at the fact of immortality. Dark water bent, broke, disintegrated, transformed to apparition — a tall, stately ghost soul emerged from body, and the finite individuality of the whole becomes the infinite individuality of particles. Mist drifted, disappeared in air, a vanishing of spirit. Far below in the valley, I saw another river, reincarnated from the first, its particles reorganized to form a second body. It carried the same name. It was similar in appearance. It also ended at a lava brink. Flow followed fall, and fall followed flow as I descended the mountainside. The river was mortal and immortal as life, as becoming.
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Charles Lindbergh 39
American aviator, author, inventor, explorer, and social ac… 1902–1974Related quotes
Book One, Ch. 2 : A Girl from a Different World, § 10, as translated by Max Hayward and Manya Harari (1958)
Variant translations:
I think that if the beast dormant in man could be stopped by the threat of, whatever, the lockup or requital beyond the grave, the highest emblem of mankind would be a lion tamer with his whip, and not the preacher who sacrifices himself. But the point is precisely this, that for centuries man has been raised above the animals and borne aloft not by the rod, but by music: the irresistibility of the unarmed truth, the attraction of its example. It has been considered up to now that the most important thing in the Gospels is the moral pronouncements and rules, but for me the main thing is that Christ speaks in parables from daily life, clarifying the truth with the light of everyday things. At the basis of this lies the thought that communion among mortals is immortal and that life is symbolic because it is meaningful.
Book One, Part 2 : A Girl from a Different World, § 10, as translated by Richard Pevear and Larissa Volokhonsky (2010)
I think that if the beast who sleeps in man could be held down by threats of any kind, whether of jail or retribution, then the highest emblem of humanity would be the lion tamer, not the prophet who sacrificed himself.... What for centuries raised man above the beast is not the cudgel but the irresistible power of unarmed truth.
Paraphrase of the 1958 translation, as quoted in The New York Times (1 January 1978)
Doctor Zhivago (1957)
Context: I think that if the beast who sleeps in man could be held down by threats — any kind of threat, whether of jail or of retribution after death — then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But don’t you see, this is just the point — what has for centuries raised man above the beast is not the cudgel but an inward music: the irresistible power of unarmed truth, the powerful attraction of its example. It has always been assumed that the most important things in the Gospels are the ethical maxims and commandments. But for me the most important thing is that Christ speaks in parables taken from life, that He explains the truth in terms of everyday reality. The idea that underlies this is that communion between mortals is immortal, and that the whole of life is symbolic because it is meaningful.
“Play on, mortal. Every god falls at a mortal’s hands. Such is the only end to immortality.”
Source: Gardens of the Moon (1999), Chapter 7 (p. 208)
“Reason is immortal, all else mortal.”
As quoted in Lives and Opinions of Eminent Philosophers, Sect. 30, as translated by Robert Drew Hicks (1925); also in The Demon and the Quantum: From the Pythagorean Mystics to Maxwell's Demon (2007) by Robert J. Scully, Marlan O. Scully, p. 11
“Law, the king of all mortals and immortals.”
As quoted in Plato's Gorgias, 484b.
Sylvester Stallone, interviewed by Rob Carnevale in " Sylvester Stallone: Rocky Balboa http://www.bbc.co.uk/films/2007/01/15/sylvester_stallone_rocky_balboa_2007_interview.shtml", BBC (28 October 2014).
Source: Prometheus Rising (1983), Ch. 1 : The Thinker & The Prover, p. 25
Context: Comparative religion and philosophy show that the Thinker can regard itself as mortal, as immortal, as both mortal and immortal (the reincarnation model) or even as non-existent (Buddhism). It can think itself into living in a Christian universe, a Marxist universe, a scientific-relativistic universe, or a Nazi universe—among many possibilities.
As psychiatrists and psychologists have often observed (much to the chagrin of their medical colleagues), the Thinker can think itself sick, and can even think itself well again.
The Prover is a much simpler mechanism. It operates on one law only: Whatever the Thinker thinks, the Prover proves.
To cite a notorious example which unleashed incredible horrors earlier in this century, if the Thinker thinks that all Jews are rich, the Prover will prove it. It will find evidence that the poorest Jew in the most run-down ghetto has hidden money somewhere.
“Tis verse that gives
Immortal youth to mortal maids.”
Verse.
“Immortality alone could teach this mortal how to die.”
"Looking Death in the Face", Miss Mulock's Poems (1866)
“What is your greatest ambition in life?'
'To become immortal… and then die.”