Lorin Maazel (1930–2014) French-American conductor
As quoted in Successories.com http://www.successories.com/iquote/author/14767/lorin-maazel-quotes/1
Source: The Master of Go (1951), Ch. 38, p. 164.
Context: That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.
Lorin Maazel (1930–2014) French-American conductor
As quoted in Successories.com http://www.successories.com/iquote/author/14767/lorin-maazel-quotes/1
William Feller (1906–1970) Croatian-American mathematician
Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter XIV, Random Walk And Ruin Problems, p. 349.
Anselm Kiefer (1945) German painter and sculptor
Quoted in Huffington Post http://www.huffingtonpost.com/joshua-schwartz/in-the-beginning-there-was-not_b_1703387.html
Elaine Dundy book Elvis and Gladys
Elvis and Gladys (1985), Ch. 5 : A Romance, p. 55
Context: What is always overlooked is that although the poor want to be rich, it does not follow that they either like the rich or that they in any way want to emulate their characters which, in fact, they despise. Both the poor and the rich have always found precisely the same grounds on which to complain about each other. Each feels the other has no manners, is disloyal, corrupt, insensitive — and has never put in an honest day's work in its life.
Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society
Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 290
“The public will accept a masterpiece, but it will not accept an attempt to write a masterpiece.”
George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist
Vain Fortune http://www.gutenberg.org/files/11303/11303.txt, Chapter 1 (1891).
Rubén Darío book Cantos de vida y esperanza
Dichoso el árbol, que es apenas sensitivo,
y más la piedra dura porque esa ya no siente,
pues no hay dolor más grande que el dolor de ser vivo,
ni mayor pesadumbre que la vida consciente.
Cantos de vida y esperanza (1901), "Lo fatal" ("Fatalism")
Quoted in Chambers Dictionary of Quotations (1997), p. 305.
“Prentice: Unnatural vice can ruin a man.
Rance: Ruin follows the accusation not the vice.”
Joe Orton (1933–1967) English playwright and author
What the Butler Saw (1969), Act II