
As quoted in Successories.com http://www.successories.com/iquote/author/14767/lorin-maazel-quotes/1
Source: The Master of Go (1951), Ch. 38, p. 164.
Context: That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.
As quoted in Successories.com http://www.successories.com/iquote/author/14767/lorin-maazel-quotes/1
Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter XIV, Random Walk And Ruin Problems, p. 349.
Quoted in Huffington Post http://www.huffingtonpost.com/joshua-schwartz/in-the-beginning-there-was-not_b_1703387.html
Elvis and Gladys (1985), Ch. 5 : A Romance, p. 55
Context: What is always overlooked is that although the poor want to be rich, it does not follow that they either like the rich or that they in any way want to emulate their characters which, in fact, they despise. Both the poor and the rich have always found precisely the same grounds on which to complain about each other. Each feels the other has no manners, is disloyal, corrupt, insensitive — and has never put in an honest day's work in its life.
Source: On the Fetish Character in Music and the Regression of Listening (1938), p. 290
“The public will accept a masterpiece, but it will not accept an attempt to write a masterpiece.”
Vain Fortune http://www.gutenberg.org/files/11303/11303.txt, Chapter 1 (1891).
Dichoso el árbol, que es apenas sensitivo,
y más la piedra dura porque esa ya no siente,
pues no hay dolor más grande que el dolor de ser vivo,
ni mayor pesadumbre que la vida consciente.
Cantos de vida y esperanza (1901), "Lo fatal" ("Fatalism")
Quoted in Chambers Dictionary of Quotations (1997), p. 305.
“Prentice: Unnatural vice can ruin a man.
Rance: Ruin follows the accusation not the vice.”
What the Butler Saw (1969), Act II