
Source: 1910s, Our Knowledge of the External World (1914), p. 8
Address to the Society for Psychical Research (1897)
Context: If a possible — nay, reasonable — variation in only one of the forces conditioning the human race, that of gravitation, could so modify our outward form, appearance, and proportions as to make us to all intents and purposes a different race of beings; if mere differences of size can cause some of the most simple facts in chemistry and physics to take so widely different a guise; if beings microscopically small and prodigiously large would simply as such be subject to the hallucinations I have pointed out, and to others I might enlarge upon, is it not possible that we, in turn, though occupying, as it seems to us, the golden mean, may also by the mere virtue of our size and weight fall into misinterpretations of phenomena from which we should escape were we or the globe we inhabit either larger or smaller, heavier or lighter? May not our boasted knowledge be simply conditioned by accidental environments, and thus be liable to a large element of subjectivity hitherto unsuspected and scarcely possible to eliminate?
Source: 1910s, Our Knowledge of the External World (1914), p. 8
Source: Systems Engineering Tools, (1965), p. 111 as cited in
Wieland; or, the Transformation (1798)
Source: Sustainable History and the Dignity of Man (2009), p.108
“If you eliminate all the words of a subject, you have eliminated the subject.”
Language Education in a Knowledge Context (1980)
Context: As one learns the language of a subject, one is also learning what the subject is.... what we call a subject consists mostly, if not entirely, of its language. If you eliminate all the words of a subject, you have eliminated the subject.
Source: Philosophy At The Limit (1990), Chapter 4, Philosophy As Writing: The Case Of Hegel, p. 69
Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)
Coding theorems for a discrete source with a fidelity criterion. IRE International Convention Records, volume 7, pp. 142--163, 1959.
Context: This duality can be pursued further and is related to a duality between past and future and the notions of control and knowledge. Thus we may have knowledge of the past but cannot control it; we may control the future but have no knowledge of it.
Source: The Cambridge Encyclopedia of the English Language, 1987, p. 60