
31 October 1966; p. 59
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Response after being asked if he had a favorite director in "Director Gary Ross Talks The Hunger Games, Catching Fire, Deleted Scenes, and a Lot More" by Steve 'Frosty' Weintraub at Collider (22 March 2012) http://collider.com/gary-ross-hunger-games-interview/
Context: I love almost all of Stanley Kubrick, there’s almost no Stanley Kubrick I don’t love. I love Lolita, I love Dr. Strangelove. I love A Clockwork Orange, obviously. I even like a lot of Barry Lyndon (laughs). And early stuff, like The Killing and Paths of Glory. … It’s ridiculous. Look, he made the best comedy ever, he may have made one of the best science fiction movies ever, he made the best horror movie ever. I couldn’t watch the end of The Shining. I went through half The Shining for years before I could finish, because I’m a writer and as soon as he starts writing “All work and no play makes Jack a dull boy,” I had to turn it off. It’s almost like Picasso in that he mastered so many different genres. … he took his time and patience and he had a crew of like 18 people. They were very handmade movies these were not large behemoths that he did; they were very thoughtful and his editing process was long. He’s kind of without peer really. If I was gonna settle on a director, probably Kubrick.
31 October 1966; p. 59
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Marcia Thornton Jones Interview https://web.archive.org/web/20121024121117/http://www.scholastic.com/teachers/article/marcia-thornton-jones-interview-transcript (1997)
"Le Mystère Picasso," p. 511.
5001 Nights at the Movies (1982)
Kenneth Noland, p. 14
Conversation with Karen Wilkin' (1986-1988)
Interview quoted in Timothy Steele 'Introduction & Commentary-Poetry of J V Cunningham'
General
“One of the most striking signs of the decay of art is the intermixing of different genres.”
Propylaea (1798) Introduction
Quote from Mondrian's letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's
“Europe belongs to Picasso, Matisse and many others, India belongs only to me.”
When Amrita returned to India because her experience in a metropolis, after the initial excitement had died down.
Sikh Heritage,Amrita Shergil
Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264 - Braque's quote is referring to the early common starting years of Cubism in Paris with Picasso, ca. 1907 -1910