
The Rome Press Conference (23 July 2001)
Notes to The Atrocity Exhibition (1970; written 1967 - 1969, annotated 1990)
Context: All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or ancient Egypt, is reassimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonise past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality in attractive and instantly appealing forms.
The Rome Press Conference (23 July 2001)
On how gender identity and other themes are addressed in The Prince and the Dressmaker in “INTERVIEW WITH JEN WANG, AUTHOR AND ARTIST OF THE PRINCE AND THE DRESSMAKER” https://bookriot.com/2018/02/06/prince-and-the-dressmaker/ in BookRiot (2018 Feb 6)
Source: Life: The Movie: How Entertainment Conquered Reality (1998), p. 21
“The major and almost only theme of all my work is the struggle of man with "God"”
As quoted in Nikos Kazantzakis (1968) by Helen Kazantzakis, p. 507
Context: The major and almost only theme of all my work is the struggle of man with "God": the unyielding, inextinguishable struggle of the naked worm called "man" against the terrifying power and darkness of the forces within him and around him.
“It's homemade versus mass-manufactured; bootleg versus theme park; Cujo versus Mickey Mouse.”
"King of High & Low" http://www.nybooks.com/articles/15129 The New York Review of Books (14 February 2002)
Context: I am often wrong. For example, I liked Cop Rock, voted for Nader, and used to think that the preeminent philosophical question of the late twentieth century was whether the government intelligence agency or the semiattached policy-studies think tank represented America's best hope for a viable pluralism. But I may be right, after all, about Stephen King and Walt Disney. No matter how often King shows up on ABC, they haven't yet figured out how to merchandise his dread, how to turn his intuitions and intimations into action figures and fast-food tie-ins and Davy Crockett coonskin caps. It's homemade versus mass-manufactured; bootleg versus theme park; Cujo versus Mickey Mouse.
“Quantum mechanics is the Disney World for adults!”
Real men do GR!
in Eminent Talent: 2006 - The twelfth year, a festive edition celebrating 10 years Spinoza Prize. http://www.nwo.nl/nwohome.nsf/pages/NWOA_6WAGZJ_Eng