“I hear voices, see smiles. I cannot
Write anything”
"In Warsaw" (1945), trans. Czesŀaw Miŀosz, Robert Hass and Madeline Levine
Rescue (1945)
Context: How can I live in this country
Where the foot knocks against
The unburied bones of kin?
I hear voices, see smiles. I cannot
Write anything; five hands
Seize my pen and order me to write
The story of their lives and deaths.
Was I born to become
a ritual mourner?
I want to sing of festivities,
The greenwood into which Shakespeare
Often took me. Leave
To poets a moment of happiness,
Otherwise your world will perish.
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Czeslaw Milosz 106
Polish, poet, diplomat, prosaist, writer, and translator 1911–2004Related quotes

“I write these words in steel, for anything not set in metal cannot be trusted.”
Source: The Well of Ascension

AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants

“I would that every one could hear the Voice as I hear it.”
Third public examination (24 February 1431) http://www.stjoan-center.com/Trials/sec03.html; part of this testimony has sometimes been paraphrased: If I am not in the state of grace, may God put me there; and if I am, may God so keep me.
Trial records (1431)
Context: The light comes at the same time as the Voice. … I will not tell you all; I have not leave; my oath does not touch on that. My Voice is good and to be honored. I am not bound to answer you about it. I request that the points on which I do not now answer may be given me in writing. … You shall not know yet. There is a saying among children, that 'Sometimes one is hanged for speaking the truth.'" [She is asked : Do you know if you are in the grace of God? ] If I am not, may God place me there; if I am, may God so keep me. I should be the saddest in all the world if I knew that I were not in the grace of God. But if I were in a state of sin, do you think the Voice would come to me? I would that every one could hear the Voice as I hear it.

“Can you see me? Can you hear me? Does anything I say mean anything to you?”

As quoted in Sir James Prior's Life of Edmond Malone (1860), p. 369.
Attributed

"Home Thoughts in Bloomsbury," lines 1-4
Adamastor (1930)

"The State of the Theatre" an interview by Henry Brandon in Harpers 221 (November 1960)
Context: I cannot write anything that I understand too well. If I know what something means to me, if I have already come to the end of it as an experience, I can't write it because it seems a twice-told tale. I have to astonish myself, and that of course is a very costly way of going about things, because you can go up a dead end and discover that it's beyond your capacity to discover some organism underneath your feeling, and you're left simply with a formless feeling which is not itself art. It's inexpressible and one must leave it until it is hardened and becomes something that has form and has some possibility of being communicated. It might take a year or two or three or four to emerge.