
Letter to General James Longstreet (29 October 1867), as quoted in Recollections and Letters of General Robert E. Lee (1924), p. 269.
1860s
Quoting Lord Westbury. McGrath v. Kristensen, 340 U.S. 162, 178 (1950) (concurring)
Judicial opinions
Letter to General James Longstreet (29 October 1867), as quoted in Recollections and Letters of General Robert E. Lee (1924), p. 269.
1860s
1770s, "Give me liberty, or give me death!" (1775)
Context: The question before the House is one of awful moment to this country. For my own part, I consider it as nothing less than a question of freedom or slavery; and in proportion to the magnitude of the subject ought to be the freedom of the debate. It is only in this way that we can hope to arrive at truth, and fulfill the great responsibility which we hold to God and our country. Should I keep back my opinions at such a time, through fear of giving offense, I should consider myself as guilty of treason towards my country, and of an act of disloyalty toward the Majesty of Heaven, which I revere above all earthly kings.
To Leon Goldensohn, June 16, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004
Disputed, Give me liberty, or give me death! (1775)
Morarji Desai speaks about life and celibacy
Letter to Lord Lauderdale (18 November 1802), quoted in L. G. Mitchell, Charles James Fox (London: Penguin, 1997), p. 177.
1800s
September 1, 1896, reported in Homer Croy, He Hanged Them High (1952), p. 218.
Letter to George Devine (10 March 1964), printed in Kenneth Tynan : A Life by Dominic Shellard<!-- Yale University Press, 2003, --> , p. 292
Context: I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.