"Irishness", in New Statesman, January 17, 1959
Written under the pseudonym Donat O'Donnell.
“Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens…”
"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.
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Robert Anton Wilson 110
American author and polymath 1932–2007Related quotes

“I love being Spanish as much as I love being Irish, and I really love being Irish.”
1990s, Inside the Actors Studio (1994)
The Red and the Green (1965), ch. 2, p. 30.
“Being Irish is, no matter how real, a pose.”
The Complete Neurotic's Notebook (1981), Unclassified

Dissenting, DeFunis v. Odegaard, 416 U.S. 342 (1974)
Judicial opinions

“What Franz Kafka was to the first half of the 20th century, Philip K. Dick is to the second half.”
As quoted in The Shifting Realities of Philip K. Dick : Selected Literary and Philosophical Writings (1995) edited by Lawrence Sutin, p. x.
'Sing for the Taxman' -Poetry Magazine-Poetry Foundation May 1 2009
Having lived in Ireland all my life I can hardly be more 'Irish', in ways that are invisible to me. My inclination is to play down my Irishness rather than whip it up. Nothing is more potentially damaging to an Irish writer than buying into the myth that we have some locutions and the so called ' gift of the gab' too many Irish writers have fall prey to such delusions.
Interview ,Mark Thwaite, 12th August 2005. 'Ready Steady Book for literature'
Other Quotes