
Source: Cronenberg on Cronenberg (1997), Ch. 4
Herzog on Herzog (2002)
Context: Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.
Source: Cronenberg on Cronenberg (1997), Ch. 4
Source: Rising Stars of Cinematography (2019)
The Kate Bush Story (2014)
Context: The Man with the Child in His Eyes is still one of those things, which right from the get-go … has its own life, because it's just a great song. … For all the time that she or I or anyone spend decorating and creating moods, its actually the key element of what your saying, the melody and the chords which still speak louder than all the stuff around, on a great song.
The Inspector's Call http://www.johnhannah.net/interview00.php#tic (April 17, 2000)
Encountering Directors interview (1969)