“Acting is not a lofty performance; it is simply the source of becoming and existing transparently. Acting, I find, is the art of frothing to the surface every raw and honest emotion. The moment an actor pretends, he loses his audience forever”
Statement at the Masiela Lusha board page http://www.masielalusha.com/board.php
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Masiela Lusha 26
Albanian actress, writer, author 1985Related quotes

"How to Love God" (12 September 1954).
General sources
Context: When I say I am the Avatar, there are a few who feel happy, some who feel shocked, and many who hearing me claim this, would take me for a hypocrite, a fraud, a supreme egoist, or just mad. If I were to say every one of you is an Avatar, a few would be tickled, and many would consider it a blasphemy or a joke. The fact that God being One, Indivisible and equally in us all, we can be nought else but one, is too much for the duality-conscious mind to accept. Yet each of us is what the other is. I know I am the Avatar in every sense of the word, and that each one of you is an Avatar in one sense or the other.
It is an unalterable and universally recognized fact since time immemorial that God knows everything, God does everything, and that nothing happens but by the Will of God. Therefore it is God who makes me say I am the Avatar, and that each one of you is an Avatar. Again, it is He Who is tickled through some, and through others is shocked. It is God Who acts, and God Who reacts. It is He Who scoffs, and He Who responds. He is the Creator, the Producer, the Actor and the Audience in His own Divine Play.

"Guayaquil", in Brodie's Report (1970); tr. Andrew Hurley, Collected Fictions (1998)
Quoted in John Skow, "Verdict on a Superstar," http://aolsvc.timeforkids.kol.aol.com/time/magazine/article/0,9171,923114-1,00.html Time (1982-12-06)
“Act impeccably! Perform every act as if it were the only thing in the world that mattered.”
Power : How To Get It, How To Use It (1976)

Godspell Script Notes and Revisions (1999) http://www.webcitation.org/query?url=http://www.geocities.com/cugodspell/scriptnotes.html&date=2009-10-25+17:58:43
Context: Above all, the first act of Godspell must be about the formation of a community. Eight separate individuals, led and guided by Jesus (who is helped by his assistant, John the Baptist/Judas), gradually come to form a communal unit. This happens through the playing of games and the telling and absorption of lessons, and each of the eight individuals has his or her own moment of committing to Jesus and to the community. When Jesus applies clown make-up to their faces after "Save the People," he is having them take on an external physical manifestation that they are his disciples, temporarily separating them from the rest of society. But the internal journey of each character is separate and takes its individual course and period of time. Exactly when and why this moment of commitment occurs is one of the important choices each of the actors must make, in collaboration of course with the director. At the end of the first act, the audience is invited to join the community through the sharing of wine (or grape juice), mingling with the actors during intermission.