““Hello, Martin. What can I do for you?”
“Got a problem.”
“A big one?”
“Female human-sized.””
Charles Stross book Singularity Sky
Source: Singularity Sky (2003), Chapter 3, “The Spacelike Horizon” (p. 60)
Groovitude, page 172
Bucky Katt, Dialogue
““Hello, Martin. What can I do for you?”
“Got a problem.”
“A big one?”
“Female human-sized.””
Charles Stross book Singularity Sky
Source: Singularity Sky (2003), Chapter 3, “The Spacelike Horizon” (p. 60)
Philippe Starck (1949) French architect and industrial designer
Starck (2006) in: "Starck Ting: March 2006" at starckting.blogspot.com, 2006-03-01
“Prose is architecture, not interior decoration, and the Baroque is over.”
Ernest Hemingway book Death in the Afternoon
Source: Death in the Afternoon (1932), Ch. 16
Karl Popper (1902–1994) Austrian-British philosopher of science
Colin Powell in My American Journey (1995)
Misattributed
Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States
Lee v. Weisman (1992, dissenting) ; decided June 24, 1992
1990s
Darby Conley (1970) American cartoonist
Bucky Katt, Dialogue
Richard Feynman (1918–1988) American theoretical physicist
letter to Koichi Mano (3 February 1966); published in Perfectly Reasonable Deviations from the Beaten Track: The Letters of Richard P. Feynman (2005), p. 198, 201<br>also quoted by Freeman Dyson in "Wise Man" http://www.nybooks.com/articles/18350, The New York Review of Books (20 October 2005) <br class="br">Context: The worthwhile problems are the ones you can really solve or help solve, the ones you can really contribute something to. … No problem is too small or too trivial if we can really do something about it. You say you are a nameless man. You are not to your wife and to your child. You will not long remain so to your immediate colleagues if you can answer their simple questions when they come into your office. You are not nameless to me. Do not remain nameless to yourself — it is too sad a way to be. Know your place in the world and evaluate yourself fairly, not in terms of the naïve ideals of your own youth, nor in terms of what you erroneously imagine your teacher's ideals are.
Cassandra Clare The Mortal Instruments
Jace to Freaky Pete, pg. 36
The Mortal Instruments, City of Ashes (2008)