“I was not able to work in the several excursions and ascensions made in the neighborhood, where it was very beautiful. One is so surprised by these grand aspects that it would be necessary to remain a long time before finding the interpretation capable of rendering them. I am going to finish the season at Auvers. There is nothing like one's natural every-day surroundings where one really takes pleasure. The pictures we do then feel the effect of their home-life, and the sweet sensations we experience in it.”

— Charles-François Daubigny

Quote in Daubigny's letter to his friend Frédéric Henriet, 1872; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 337
1860s - 1870s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I was not able to work in the several excursions and ascensions made in the neighborhood, where it was very beautiful. …" by Charles-François Daubigny?

Charles-François Daubigny photo

Charles-François Daubigny 6

French painter 1817–1878

Related quotes

“To achieve the structure it takes a damn long time, so my paintings are always in work for a very long time—sometimes a year. Not that I work on them every day. I will have them, and then come back to them after a year, and also return intermittently. It’s not easily done. I am not able to do “one, two, a painting.” I try to do it very quickly, but it doesn’t work with me. I simply can’t do it. Very often people look and say, 'Ah, fantastic! That’s a beautiful painting.'”

Per Kirkeby (1938–2018) Danish artist

But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
1995 and later

“I think the best thing about the picture is that we do feel for the Creature. We feel for him and his predicament and where he is and so on. I think that’s a very positive thing really. I like that we feel sympathy for the Creature.”

Julie Adams (1926–2019) American actress

Exclusive Interview With Julie Adams http://www.horrorsociety.com/2013/09/23/exclusive-interview-with-julie-adams-star-of-creature-from-the-black-lagoon/ (September 23, 2013)

“Be good, sweet maid, and let who will be clever;
Do noble things, not dream them, all day long:
And so make life, death, and that vast for-ever
One grand, sweet song.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

A Farewell http://www.cs.rice.edu/~ssiyer/minstrels/poems/1191.html (1856), st. 2,

“Anita, I have just come the comforting conclusion that I'll have to paint acres and acres of water color landscapes before I will look for even a passably fair one. After about ten attempts — I certainly have to laugh at myself — It's like feeling around in the dark — thought I knew what I was going to try to do but I find I don't — and guess I'll only find out by slaving away at it. I feel — like a wreck — Have been working like mad all day — and you know how deliciously disgusted with every thing one can be — when the sun begins to go down — and one has been working ones head off all day. It gives me the sensation I used to have when I was a youngster and was going away from home on the train — It is a very special sort of sick feeling.”

Georgia O'Keeffe (1887–1986) American artist

New York City (February 1916), p. 145
1910s, Letters to Anita Pollitzer' (1916)

“But do not ask me where I am going,
As I travel in this limitless world,
Where every step I take is my home.”

Dogen (1200–1253) Japanese Zen buddhist teacher

As translated in The Zen Poetry of Dōgen : Verses from the Mountain of Eternal Peace (1997) by Steven Heine, p. 61

“You're not sorry to go, of course. With people like us our home is where we are not… No one person in the world is necessary to you or to me.”

F. Scott Fitzgerald book This Side of Paradise

Source: This Side of Paradise

“In life there is nothing more unexpected and surprising than the arrivals and departures of pleasure. If we find it in one place to-day, it is vain to seek it there to-morrow. You can not lay a trap for it.”

Alexander Smith (1829–1867) Scottish poet and essayist

"The Fear of Dying".
City Poems (1857)

“And so what remains in our lives? What remains in this whole, entire world to do? And like I was saying, where does Mr. Mind take you and put you every time? Where does that mind place you? It places you every time at a place that has nothing to do with the outrageous that has nothing, has nothing to do with the with the beautiful, has nothing to do with the incredible, has nothing to with anything except darkness, darkness, darkness, darkness, darkness, darkness, darkness. And this is where the mind puts you.”

Prem Rawat (1957) controversial spiritual leader

Holi Festival, Miami, Florida, on Sunday, April 1978, printed in Divine Times April/May 1978 Volume 7, Number 3
1970s

“We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.”

Maya Angelou book Letter to My Daughter

Source: Letter to My Daughter

“Your pictures would have been finished a long time ago if I were not forced every day to do something to earn money.”

Edgar Degas (1834–1917) French artist

Quote in a letter of Degas to Jean-Baptiste Faure, 14 March 1877
1876 - 1895

Related topics