“For me today, Hull City beat Hull City.”

A Brief History of Timewasting, Room 101, The News Quiz

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was 't er [op het strand van Scheveningen] goddelijk mooi. Die schuiten lagen in dichte rijen tegen de [strand]-helling en daartussen ging men als tussen een fantastisch gebouwde stad en van boven tussen die geteerde rompen koolzwart, grijs, groen, [en] wit een diepe blauwe lucht.
In Breitner's letter to A.P. van Stolk, nr. 49, Den Haag 17 Dec. 1883; in the RKD-Archive, The Hague; as cited in the master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 31
In 1881 already Breitner had rendered the surroundings of Scheveningen in the large 'Panorama of Mesdag', assisting Mesdag in this huge project
before 1890

"Alas! Deceived", p. 367 (1993).
Writing Home (1994)

Plus douce qu'aux enfants la chair des pommes sures,
L'eau verte pénétra ma coque de sapin.
St. 5
Le Bateau Ivre http://www.mag4.net/Rimbaud/poesies/Boat.html (The Drunken Boat) (1871)

Source: The Mark of Athena

For My Country's Freedom, Cap 11 "Like Father, Like Son"

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: Philip Larkin, a big, fat, bald librarian at the University of Hull, was unquestionably England's unofficial laureate: our best-loved poet since the war; better loved for our poet than John Betjeman, who was loved also for his charm, his famous beagle, his patrician Bohemianism and his televisual charisma, all of which Larkin notably lacked.
Ten years later, Larkin is now something like a pariah, or an untouchable.

Source: Lyrics, I am..., M

Source: Immortality, Inc. (1959), Chapter 35 (p. 148)