“If I were a painter
I would paint my reverie
If that's the only way for you to be with me”

—  Norah Jones

"Painter Song", Come Away with Me (2002)
Song lyrics

Adopted from Wikiquote. Last update June 3, 2021. History

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Do you have more details about the quote "If I were a painter I would paint my reverie If that's the only way for you to be with me" by Norah Jones?
Norah Jones photo
Norah Jones 9
American singer-songwriter and multi-instrumentalist 1979

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“I would say, 'My things have the look of icons.' Unconsciously they look at you not as my face is now – you see me in profile – icons are only this way. And so are my paintings.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

“I've always been told that I was a painter's painter... What does that mean?... That painters like my painting and the big wide world overlooks it, I suppose?... Well, I know... To me, it would have meant that - this is pre this new rage in buying and selling paintings - that, I think, that the formal values, like light, space, color, all those things that a painting is made up of, as well as the Jacob going up the ladder or Venus on the half shell or something [chuckles] would be what interested the painter. And perhaps the public would want the picture of the Christ child, so to speak. You know what I mean.”

Joan Mitchell (1925–1992) American painter

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“For me, being a 'lady painter' was never an issue. I don't resent being a female painter. I don't exploit it. I paint.”

Helen Frankenthaler (1928–2011) American artist

Quote by John Gruen, in 'The Party's Over Now: Reminiscences of the fifties — New York's artists, writers, musicians, and their friends'; Viking Press, 1972 - ISBN 0-916366-54-5; as cited by by Grace Glueck, in 'New York Times', 2011
1970s - 1980s

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“Then - being in two minds - in my father's courtyard, I counted the buttons of my coat: soldier or painter, soldier, painter, soldier, painter.... the last button told me: painter. So it was decided by chance that I would become a painter”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

c. 1831
version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Toen telde ik, op de binnenplaats mijns vaders in tweestrijd, de knoopen van mijn jas: soldaat of schilder, soldaat, schilder, soldaat, schilder.. ..de laatste knoop zei schilder, en zoo besliste het toeval, dat ik schilder zou worden [c. 1831].
J.W. Bilders was fighting as a Dutch volunteer in the Belgium Independents War against The Netherlands. 1830
Source: 1880's, Johannes Warnardus Bilders' (1887/1900), p. 78

Maurice de Vlaminck photo

“It was only in the evenings that I played the violin [c. 1999-1901, to earn his money for living]. During the day I was free to spend my time as I wished. With a few colours in a box, a canvas and a cheap easel under my arm, I would make my way to the Banks of the Seine... I painted to restore my peace of mind, to calm my desires and, above all, to purify myself a little... Make a career of painting. How I would have laughed if someone had talked to me about that! To be a painter is not a profession, no more than being an anarchist or a lover, a race-track rider..”

Maurice de Vlaminck (1876–1958) French painter

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Sina Mesdag-van Houten photo

“Without my husband I would never have become a painter, and without me he had probably not become a painter.”

Sina Mesdag-van Houten (1834–1909) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Sientje Mesdag van Houten, in het Nederlands:) Zonder mijn man was ik nooit schilderes geworden, en zonder mij was hij waarschijnlijk geen schilder geworden.

Quote in the magazine 'Wereldkroniek', 21 April 1906; as cited on website Panorama Mesdag http://www.panorama-mesdag.nl/ontdek/mesdag/?gclid=EAIaIQobChMI5cO-hZzH3QIVDYmyCh0duwn1EAAYAiAAEgKqIPD_BwE

“I rang up this publisher and they asked me what I was doing at the time. I told them I was a house-painter, so first of all they had me come round and paint the place. Only later did they consider my work and Banished Misfortune was published.”

Dermot Healy (1947–2014) Irish writer

John O'Mahony (2000). Let the west of the world go by http://www.guardian.co.uk/books/2000/jun/03/fiction.johnomahony, The Guardian (3 June 2000)

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“I would have failed, of course, but failure is the condition of the artist's life. What kind of failure would I have enjoyed, suffered? I know it was not all waste. My hopeless daubings taught me to look at the world with a painter's eye, despite the poor connection between eye and hand. And the smells of turpentine and linseed oil and paint-soaked rags still make my blood tingle. But words were my calling, and called to me, and I let fall the brush.”

John Banville (1945) Irish writer

My other life: John Banville http://www.guardian.co.uk/books/2008/nov/30/my-other-life-john-banville?INTCMP=SRCH, The Observer (30 November 2008).

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“Frankly, this is my position: I have been painting for two years, and my only models have been your [ Monet's ] own works; I have been following the wonderful path you broke for us. I have always worked regularly and conscientiously, but without advice or help, for I do not know any impressionist painter who would be able to guide me, living as I am in an environment more or less hostile to what I am doing. And so I fear I may lose my way, and I beg you to let me see you, if only for a short visit. I should be happy to show you five or six studies; perhaps you would tell me what you think of them and give me the advice I need so badly, for the fact is that I have the most horrible doubts, having always worked by myself, without teacher, encouragement, or criticism.”

Paul Signac (1863–1935) French painter

In a letter to Claude Monet, 1880; quoted by Geffroy: Claude Monet, vol. I, p. 175; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 15
In 1880 an exhibition of the works of Claude Monet had - as Signac was to say later - 'decided his career,' - and after his first efforts as an impressionist Signac had ventured to appeal to Monet, writing him this sentence in his letter

“I have attempted to develop my thinking in such a way that the work I've done is not me – not to confuse my feelings with what I produced. I didn't want my work to be an exposure of my feelings. Abstract Expressionism was so lively – personal identity and painting were more or less the same, and I tried to operate the same way. But I found I couldn't do anything that would be identical with my feelings. So I worked in such a way that I could say that it's not me. That accounts for the separation.”

Jasper Johns (1930) American artist

Jasper Johns: 'I have attempted to develop my thinking', Vivien Raynor, Artnews 72 no. 3, March 1973, p. 20-22
1970s

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