“When I began there was an expectation that I play like Abbaji, but over the years luckily for me music lovers got around to accepting me for what I play… Look at others like Ustad Bismillah Khan’s son who has lost his way in trying to play shehnai like his father. Copying his father is one thing but taking his music forward is quite another.”

— Zakir Hussain (musician)

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

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Zakir Hussain (musician) 25

Indian tabla player, musical producer, film actor and compo… 1951

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“Along with the steady diet sitar, sarod, and tabla, several new instruments and players came to my attention. The first of these was Ustad Bismillah Khan, master of the sonorous double-reed instrument known as shehnai. This beautiful wind instrument, with finger holes and a bell-shaped opening at the bottom, sounded to me like a hybrid of soprano saxophone and oboe, and Bismillah Khan’s tone very much influenced what Coltrane and Terry Riley would do with the soprano sax. Primarily used at weddings, the shehnai had been rejected as a classical instrument until Bismillah Khan elevated it to a higher status among listeners. His unique fingertips and sublime breath control produced the necessary range of sounds for raga making shehnai one of the more popular instruments in North India.”

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Zakir Hussain (musician) 25

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