
Quote of Pollock in a radio interview (1951); as quoted in Lives of the Great Twentieth Century Artists', (1986) Edward Lucie-Smith, p. 263
1950's
in Autobiografia, G. Morandi; (1928); as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
1925 - 1945
Quote of Pollock in a radio interview (1951); as quoted in Lives of the Great Twentieth Century Artists', (1986) Edward Lucie-Smith, p. 263
1950's
Quote of Russolo in: Le Futurisme: Création et avant-garde, Giovanni Lista, 2001; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 47.
undated quotes
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) ..de critieken op mijn werk in de Fransche, Engelsche bladen [zijn].. ..voldoende om te kunen beweren dat ik reeds nu onder de tegenwoordige marine schilders een voorname plaats inneem. Dit wil ik ook bij het stellen [bepalen] mijner prijzen in aanmerking genomen hebben.
In a letter to art-sellers Goupil in The Hague, 1870's; as cited in De Copieboeken of De Wording van de Haagsche School, Johan Poort; Mesdag Documentatie Centrum, Wassenaar, 1996, pp. 89-90
before 1880
Source: 1950's, Interview by William Wright, Summer 1950, p. 140
Source: 1910's, The Art of Noise', 1913, p. 12
“Mondrian is the greatest Futurist painter of the North.”
As quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 36
1910's
Quote from Manet's letter to Fantin-Latour, Madrid 1865, as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, (translation Daphne Woodward), p. 118
1850 - 1875
Quote from an article in the Bolognese fascist magazine 'L'Assalto', 18 Febr. 1928; as cited in 'Morandi 1894 – 1964', published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 107
1925 - 1945
a catalog-text for his first major graphic show, November 1917; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
1900s - 1920s