
Source: The Story Of The Bible, Chapter V, The English Bible, p. 49
'Jackson Pollock: An Artists' Symposium', in 'ARTnews', Vol. 66, no. 2 April 1967
1960s
Source: The Story Of The Bible, Chapter V, The English Bible, p. 49
Source: Défense des Lettres [In Defense of Letters] (1937), p. 34
1956) on criticism that a fictional character in his newspaper column was offensive cited The New York Times http://www.nytimes.com/2001/08/26/weekinreview/ideas-trends-the-quotations-of-chairman-helms-race-god-aids-and-more.html (2001
1950s
The Saviors of God (1923)
Context: Our profound human duty is not to interpret or to cast light on the rhythm of God's arch, but to adjust, as much as we can, the rhythm of our small and fleeting life to his.
Only thus may we mortals succeed in achieving something immortal, because then we collaborate with One who is Deathless.
Only thus may we conquer mortal sin, the concentration on details, the narrowness of our brains; only thus may we transubstantiate into freedom the slavery of earthen matter given us to mold.
Form in Modern Poetry(1932)
Mike Silver on Sugar Ray Robinson's abilities http://www.youtube.com/watch?v=8xtgUSEbT2I
About Sugar Ray sourced
Olga Carlisle in The New York Times, September 11, 1966.
Criticism
“The rhythm of a poem ceases the moment the feeling loses its intensity.”
What is a Poem - Endword - Selected Poems (1926)
Source: 1840s, Two Ethical-Religious Minor Essays (1849), P. 108