Paul Muldoon quote: “Form is a straitjacket in the way that a straitjacket was a straitjacket for Houdini.”

“But we are in a straitjacket, having to accept one or the other, when often some intermediate form would be better.”

Piet Hein (1905–1996) Danish puzzle designer, mathematician, author, poet

As quoted in Scandinavian Review (2003), by the American-Scandinavian Foundation, p. 18
Context: Man is the animal that draws lines which he himself then stumbles over. In the whole pattern of civilization there have been two tendencies, one toward straight lines and rectangular patterns and one toward circular lines. There are reasons, mechanical and psychological, for both tendencies. Things made with straight lines fit well together and save space. And we can move easily — physically or mentally — around things made with round lines. But we are in a straitjacket, having to accept one or the other, when often some intermediate form would be better.

“Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force.”

Rudolf Rocker book Anarcho-Syndicalism

Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force. And this unintelligence of its objectives sets its stamp on its supporters also and renders them stupid and brutal, even when they were originally endowed with the best of talents. One who is constantly striving to force everything into a mechanical order at last becomes a machine himself and loses all human feeling.
It was from the understanding of this that modern Anarchism was born and now draws its moral force. Only freedom can inspire men to great things and bring about social and political transformations. The art of ruling men has never been the art of educating men and inspiring them to a new shaping of their lives. Dreary compulsion has at its command only lifeless drill, which smothers any vital initiative at its birth and can bring forth only subjects, not free men. Freedom is the very essence of life, the impelling force in all intellectual and social development, the creator of every new outlook for the future of mankind. The liberation of man from economic exploitation and from intellectual and political oppression, which finds its finest expression in the world-philosophy of Anarchism, is the first prerequisite for the evolution of a higher social culture and a new humanity.

“If the law tries to legislate our “yeses” and “noes” it will produce “the straitjacket generation” – a generation afraid to flirt, fearful of finding its love notes in a court suit. Date rape legislation will force suitors and courting to give way to courts and suing.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part III: Government as substitute husband, p. 340.

“Let us not attempt, from the pontifical throne of realism-at-any-cost, to condemn all the art forms which have evolved since the first half of the nineteenth century for we would then fall into the Proudhonian mistake of returning to the past, of putting a straitjacket on the artistic expression of the man who is being born and is in the process of making himself.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

“Allen: That's quite a lovely Jackson Pollock, isn't it?
Woman: Yes, it is.
Allen: What does it say to you?
Woman: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of man forced to live in a barren, godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror, and degradation, forming a useless, bleak straitjacket in a black, absurd cosmos.
Allen: What are you doing Saturday night?
Woman: Committing suicide.
Allen: What about Friday night?”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Play It Again, Sam (1972).

“As long as you can Houdini your way out of the Sisyphean constraints then originality happens.”

David Mitchell (1969) English novelist

Interview "David Mitchell at Writers and Readers week, New Zealand" at ABC.net (30 March 2008) http://www.abc.net.au/rn/bookshow/stories/2008/2201562.htm

“I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue — which is what many people think I am, for that matter. Oh well, what difference does it make. What upsets me the most is not so much the poverty as the things that perpetually get in the way of my art, which I cannot carry out the way I feel and which I would carry out if it weren't for the poverty that is like a straitjacket. You tell me I am wrong to stay away from the artist[ic] center. No, I am right; I've known for a long time what I am doing and why I am doing it. My artistic center is in my brain and nowhere else, and I am strong because I am never thrown off-course by other people and because I do what is in me.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Original: Je suis un grand artiste et je le sais. C'est parce que je le suis que j'ai tellement enduré de souffrances. Pour poursuivre ma voie, sinon je me considérerai comme un brigand. Ce que je suis du reste pour beaucoup de personnes. Enfin, qu'importe! Ce qui me chagrine le plus c'est moins la misère que les empêchements perpétuels à mon art que je ne puis faire comme je le sens et comme je pourais le faire sans la misère qui me lie les bras. Tu me dis que j'ai tort de rester éloigné du centre artistique. Non, j'ai raison, je sais depuis longtemps ce que je fais et pourquoi je le fais. Mon centre artistique est dans mon cerveau et pas ailleurs et je suis fort parce que je ne suis jamais dérouté par les autres et je fais ce qui est en moi.
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 53-54: Quote in a letter to his wife, Mette (Tahiti, March 1892)

“God can be funny
When told he'll give you money if you just pray the right way
And when presented like a genie who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious…”

Regina Spektor (1980) American singer-songwriter and pianist

"Laughing With"
Far (2009)
Context: No one laughs at God when the cops knock on their door
And they say "We've got some bad news, sir."
 No one's laughing at God when there's a famine, fire or flood But God can be funny
At a cocktail party when listening to a good God-themed joke
Or when the crazies say He hates us
And they get so red in the head you think they're 'bout to choke God can be funny
When told he'll give you money if you just pray the right way
And when presented like a genie who does magic like Houdini
Or grants wishes like Jiminy Cricket and Santa Claus
God can be so hilarious...

“Drawing is not the same as form; it is a way of seeing form.”

Edgar Degas (1834–1917) French artist

Le dessin n'est pas la forme, il est la manière de voir la forme.
"Drawing Is Not the Same As Form..." (p. 82)
posthumous quotes, Degas Dance Drawing' (1935)

“Thought forms in the soul the same way clouds form in the air.”

Joseph Joubert (1754–1824) French moralist and essayist

“Form is a straitjacket in the way that a straitjacket was a straitjacket for Houdini.”

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