“I moved into directing for a couple of reasons. … Most directors, I discovered, need to be convinced that the screenplay they’re going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, "Why am I out there looking for directors?" — because you look at a list of directors, it’s all boys. It certainly was when I started as a screenwriter. So I thought, "I’m just gonna become a director and that’ll make it easier."”

—  Nora Ephron

In the documentary Dreams on Spec (2007)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I moved into directing for a couple of reasons. … Most directors, I discovered, need to be convinced that the screenpla…" by Nora Ephron?
Nora Ephron photo
Nora Ephron 49
Film director, author screenwriter 1941–2012

Related quotes

Geling Yan photo

“I don’t consider myself a successful screenwriter. I write screenplays because I have no choice. Often I’m simply the director’s last resort. I think that good novel-writing emphasizes characterization. It’s the personality that makes a good movie or novel character unforgettable.”

Geling Yan (1958) Chinese writer and screenwriter

Source: Interview with the Big Thrill

Clancy Brown photo

“Well part of the reason I have that many credits is I don’t get in my director’s face too much. I just do what I’m told. But I’ve also been burned by first time directors. Anthony and I talked about it and, you know, he thought he was picking me and I thought I was picking him and we hit it off. He’s very visual which is exactly what you want for this.”

Clancy Brown (1959) American actor and voice actor

Clancy Brown interview: Warcraft, Nothing Left to Fear http://www.denofgeek.com/us/movies/clancy-brown/233112/clancy-brown-interview-warcraft-nothing-left-to-fear (February 18, 2014)

“The higher-ups that I’m negotiating with are always men, I think if you asked any of them, they’re really liberal guys and they’d be like, ‘We wish there were more female directors.’ But whenever they have this large amount of money and they are about to invest it in something and they need to pick somebody to be at the helm for it and represent them, they look for somebody that’s the most like them. Unconsciously! They’re like, ‘I wish there were more female directors, but for this movie [made with] my money, I’m going to pick the guy that’s like me.’”

Misty Talley American film director and editor

Source: Meet Misty Talley, The First Female Director Of A Syfy Original Movie https://medium.com/the-establishment/meet-misty-talley-the-first-female-director-of-a-syfy-original-movie-f56179cf2f7b (July 28, 2016)

Barack Obama photo

“I think that I’m a better speechwriter than my speechwriters. I know more about policies on any particular issue than my policy directors. And I’ll tell you right now that I’m gonna think I’m a better political director than my political director.”

Barack Obama (1961) 44th President of the United States of America

Reported by Ryan Lizza in the New Yorker, said to Patrick Gaspard during a job interview in 2007. http://www.newyorker.com/reporting/2008/11/17/081117fa_fact_lizza?printable=true
2007

Sai Paranjpye photo

“I am sure I speak for all my sisters when I say that we prefer to be known as directors, not just as women directors. To the eternal question that I am plagued with — what is the main disadvantage of being a woman director — my answer is: being endlessly harangued with this very question”

Sai Paranjpye (1938) Indian film director

FirstPost article by Chintan Girish Modi - Originally an excerpt from Sai Paranjpye's English Autobiography titled "A Patchwork Quilt: A Collage of My Creative Life", published by HarperCollins India - In A Patchwork Quilt, renowned filmmaker Sai Paranjpye reflects on her creative practice, flaws, and failures https://www.firstpost.com/art-and-culture/in-a-patchwork-quilt-renowned-filmmaker-sai-paranjpye-reflects-on-her-creative-practice-flaws-and-failures-9087461.html - 8 December 2020 - Archive https://web.archive.org/web/20210901095737/https://www.firstpost.com/art-and-culture/in-a-patchwork-quilt-renowned-filmmaker-sai-paranjpye-reflects-on-her-creative-practice-flaws-and-failures-9087461.html
Quotes from Sai Paranjpye

Tara Reid photo

“I love acting because it’s my heart. I love playing characters. When I get on the set, something snaps in me, something different. It’s what I was meant to do. I love working with other actors, I love working with directors, and I love creating something. From the DP [director of photography] to the director and the actors—and even down to the catering—you know, it’s just a family.”

Tara Reid (1975) American actress

Tara Reid Is Not a Loser https://www.vice.com/en_us/article/wd47d5/tara-reid-is-not-a-loser-954 (August 30 2014)

Abbas Kiarostami photo

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

Marlon Brando photo

“Kazan is a performer's director, the best director I ever worked with… Most actors don't get any help from directors. Emotional help, if you're playing an emotional part. Kazan is the only one I know who really gives you help.”

Marlon Brando (1924–2004) American screen and stage actor

Rolling Stone Issue No. 213 (May 20, 1976) on Elia Kazan

James L. Brooks photo

“There was a great director who directed a picture that I wrote who barred me from the set— quite appropriately— and said, “I’m sorry, Jim. When you’re directing, you don’t need to know everything. You need the illusion that you do.” And, you know, and I WOULD be there— behind him trying to signal the actors in, you know, in a way I wasn’t even aware of.”

James L. Brooks (1940) American director, producer and screenwriter

In the documentary Dreams on Spec

Salma Hayek photo

“The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." … He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. … So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women."”

Salma Hayek (1966) Mexican-American actress and producer

Because I got to a point where I was whining all the time. I was miserable. I was desperate
O interview (2003)

Related topics