“In the office there are about fifteen people whose attention is directed toward a table covered with the costly fabric [raw cotton]; one man is bent over the table and another is sort of seating on it – the buyer and the broker are discussing a sample. A painting of a vernacular subject, if there is such a thing, and I think by a better hand than most others (a size 40 canvas, I think). I'm planning another less complicated and more surprising yet, better art, in which everyone is in summer dress, the walls white, and a sea of cotton on the tables. (translation based on M. Kay's, in M. Gérin [ed. ] and M. Kay, transl. 'Degas letters', Oxford, 1947, pp. 29-30, no. 2”

Launch.com October 30, 1998

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), pp. 179-180

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 25
Context: I think that if we are going to reform the world, and make it a better place to live in, the way to do it is not with talk about relationships of a political nature, which are inevitably dualistic, full of subjects and objects and their relationship to one another; or with programs full of things for other people to do. I think that kind of approach starts it at the end and presumes the end is the beginning. Programs of a political nature are important end products of social quality that can be effective only if the underlying structure of social values is right. The social values are right only if the individual values are right. The place to improve the world is first in one's own heart and head and hands, and then work outward from there. Other people can talk about how to expand the destiny of mankind. I just want to talk about how to fix a motorcycle. <!-- p. 304

Interview for London Weekend Television's Weekend World, quoted in The Times (11 February 1980), p. 2
1980s

Memoirs, Falling Towards England (1985)

Playboy interview (2003)
Context: I think it's a very confused culture. On the one hand, no one is better than anyone else; no one is prettier. On the other hand, everyone is completely obsessed by their looks and by how they strike the world. On the one hand, we're all equal; on the other hand, everyone's a superstar. It's all very irrational, like all ideology.

Book I, Ch. 25
Essais (1595), Book I
Context: To call out for the hand of the enemy is a rather extreme measure, yet a better one, I think, than to remain in continual fever over an accident that has no remedy. But since all the precautions that a man can take are full of uneasiness and uncertainty, it is better to prepare with fine assurance for the worst that can happen, and derive some consolation from the fact that we are not sure that it will happen.

1981 - 2008
Source: 'Colour Chart I', interview with Christoph Grunenberg, 1 May 2009; 'Sixty years at full intensity', Tate 2009

Static Line interview, 1998