“I asked Mr. Honda to direct the next Godzilla film at a party that was held shortly before he died. He said that he would. I don't know how serious he was.”

— Kenpachiro Satsuma

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

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Kenpachiro Satsuma17

Japanese actor 1947

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He flipped back and pointed at, 'Why?'
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“I don't know much about the score for GODZILLA 1985. However, my impression of GODZILLA VS. BIOLLANTE is a negative one, both in terms of the direction and the music. For example, the music that is heard while the scenes that take place in Saradia are shown is just ridiculous. The composer used European music instead of some modern Arabic music. By the way, during the production of GODZILLA VS. BIOLLANTE, Toho asked for permission to use some of my music in the film. I said that I would allow its use as long as it was not turned into popular music. Toho agreed to that, but just before GODZILLA VS. BIOLLANTE was completed, a Toho representative came to me and said, "Well, your music was turned into popular music." By that time, it was too late to do anything about the situation. After GODZILLA VS. BIOLLANTE was released, my daughter came to me and said, "No matter how much you try to escape from Godzilla movies, Toho always uses your name and your melodies, so why don't you just score the next Godzilla film yourself?"”

Akira Ifukube (1914–2006) Japanese composer

That is why I agreed to work on GODZILLA VS. GHIDRAH. <br class="br">As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

“After a year of working in the restaurant, one night I decided to slip Tom my telephone number. We were standing in front of the giant fireplace. 'Did you hear I was single?' I asked. The next day his secretary called me and said, 'Mr. Girardi would like to know if you're free to have dinner this evening.' 'Absolutely not,' I told her. 'Tell Mr. Girardi if he wants to take me out on a date, he needs to call me himself and ask me and give me enough time to prepare.' You know how men are, especially if they are successful. They expect you to drop everything right away. That's not how I work, I don't care who you are. He did call me back himself, and he asked me out on a date like a gentleman.”

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“I was on the set of Tree of Life. He was with me, and he asked me [if I] would play Eleanor Rigby in his film.”

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Context: I was on the set of Tree of Life. He was with me, and he asked me [if I] would play Eleanor Rigby in his film. And I said, “Yes, but it’s so much the male perspective,” [whispers] like the majority of films that are made. I said, “I’d like to know more about the woman. I’d like to know her perspective as well.” So he went and he wrote Her. And it was very collaborative because every day as he’d write, I’d be working, and I’d come back and he’d ask me questions about sisters or whatnot and how women talk with each other, and I found that to be really exciting. … he was the full writer. I was his bounce board. Not story things, because that’s the main part of the film, but just things like, you know, cutting the hair. You know, because girls, we all tell each other, “Don’t cut your hair when you’re pregnant, don’t cut your hair when you have a breakup or when a tragedy happens.” It’s something that we like to do when we’re in an emotional place for some reason. Right? But that’s something that a man may not know, that’s inherently female. And so it was my idea, I wanted Eleanor to cut her hair off, because then it connects to then her disappearing herself as well.

“In my opinion you are a little similar to Rudolph Valentino. I don't know if you remember such an actor. It is a great direction for you - he acted in silent films.”

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Dla mnie jesteś trochę jak Rudolph Valentino, nie wiem, czy pamiętasz takiego bohatera kina. Znakomity kierunek dla ciebie: on był bohaterem kina niemego.
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“Mr. Tsuburaya was a gentleman. He was very charismatic. Mr. Tsuburaya would never express his anger at me or the other monster actors. However, he would express his anger at the members of his staff. Mr. Tsuburaya often pretended to be asleep when he in fact was just thinking about his work. Once he had decided what he wanted to do, he would pretend to wake up. He then would begin giving instructions to the members of his staff. There were two things Mr. Tsuburaya hated. One was snakes and the other was bloodshed. I remember that someone once asked Mr. Tsuburaya why he never showed bloodshed in the monster films on which he worked. Mr. Tsuburaya replied that he never showed it because he knew that children went to see the movies. One day, a Toho employee suggested that the studio produce a film about a giant snake. Mr. Tsuburaya didn't like the idea, so the movie was never made. Mr. Tsuburaya would try to inspire the people with whom he worked. His inspiration helped me keep playing giant monsters for eighteen years.”

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“I don't know how he feels now, but I know that I have often wished that he would talk less of violence, because violence is not going to solve our problem.”

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Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html <br class="br">1960s <br class="br">Context: I met Malcolm X once in Washington, but circumstances didn't enable me to talk with him for more than a minute. He is very articulate … but I totally disagree with many of his political and philosophical views — at least insofar as I understand where he now stands. I don't want to seem to sound self-righteous, or absolutist, or that I think I have the only truth, the only way. Maybe he does have some of the answer. I don't know how he feels now, but I know that I have often wished that he would talk less of violence, because violence is not going to solve our problem. And in his litany of articulating the despair of the Negro without offering any positive, creative alternative, I feel that Malcolm has done himself and our people a great disservice. Fiery, demagogic oratory in the black ghettos, urging Negroes to arm themselves and prepare to engage in violence, as he has done, can reap nothing but grief.

“Prince Asaka had joined the army only about ten days before its entry into Nanking and in view of the short time he was connected with this army I do not think he can be held responsible. I would say that the Division Commanders are the responsible parties.”

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“You know," I told him,"if you don't know how to eat a cupcake, that's nothing to be ashamed of."
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“I asked Mr. Honda to direct the next Godzilla film at a party that was held shortly before he died. He said that he would. I don't know how serious he was.”

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Kenpachiro Satsuma17

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