“Most days it's just stumbling around in the dark with the rest of creation, smashing into things and wondering why it hurts.”

Reflections

<span class="plainlinks"> In Midnight Street http://www.prachyareview.com/poems-by-suman-pokhrel/</span>
From Poetry

Doctor Zhivago (1957)
Source: El doctor Zhivago

Source: The Zahir (2005), p. 272.
Context: That is how I would have acted before my accident, but now my personal history had become unimportant. It had stopped being history and was once more becoming a legend, a search, an adventure, a journey into and away from myself. I was once more in a time which the things around me were changing and that is how I wanted it to be for the rest of my days.

Source: She's Come Undone

Lila (1991)

Source: The Water-Babies

Darkness, p. 91
Catching the Big Fish (2006)
Context: People have asked me why — if meditation is so great and gives you so much bliss — are my films so dark, and there's so much violence?
There are many, many dark things flowing around in this world right now, and most films reflect the world in which we live. They're stories. Stories are always going to have conflict. They're going to have highs and lows, and good and bad.
I fall in love with certain ideas. And I am where I am. Now, if I told you I was enlightened, and this is enlightened filmmaking, that would be another story. But I'm just a guy from Missoula, Montana, doing my thing, going down the road like everybody else.
We all reflect the world we live in. Even if you make a period film, it will reflect your times. You can see the way period films differ, depending on when they were made. It's a sensibility — how they talk, certain themes — and those things change as the world changes.
And so, even though I'm from Missoula, Montana, which is not the surrealistic capital of the world, you could be anywhere and see a kind of strangeness in how the world is these days, or have a certain way of looking at things.