Source: https://guardian.ng/life/spotlight/sisi-yemmie-the-inspirational-vlogger/ Sisi yemmie speaking at an interview.
“The track, to me, was like an open book, in which I could read the meaning and purpose of life. I revered it like I would the sanctum sanctorum in a temple, where the deity resided and before whom I would humbly prostrate myself as a devotee. To keep myself steadfast to my goal, I renounced all pleasures and distractions, to keep myself fit and healthy, and dedicated my life to the ground where I could practice and run. Running had thus become my God, my religion and my beloved”
Stuff for legend: Athlete Milkha Singh's autobiography, 11 July 2013, 13 December 2013, Deccan herald http://www.deccanherald.com/content/344118/stuff-legend-athlete-milkha-singh039s.html,
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Milkha Singh 12
Indian track and field athlete 1935Related quotes
NOW interview (2004)
Context: I wasn't gonna paint. And I wasn't gonna do ostentatious drawings. I wasn't gonna have gallery pictures. I was gonna hide somewhere where nobody would find me and express myself entirely. I'm like a guerrilla warfare in my best books.

E 52
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Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 22. How I Then Tried to Diffuse the Theory of Three Dimensions by Other Means, and of the Result
Context: I devoted several months in privacy to the composition of a treatise on the mysteries of Three Dimensions. Only, with the view of evading the Law, if possible, I spoke not of a physical Dimension, but of a Thoughtland whence, in theory, a Figure could look down upon Flatland and see simultaneously the insides of all things, and where it was possible that there might be supposed to exist a Figure environed, as it were, with six Squares, and containing eight terminal Points. But in writing this book I found myself sadly hampered by the impossibility of drawing such diagrams as were necessary for my purpose... my life was under a cloud. All pleasures palled upon me; all sights tantalized and tempted me to outspoken treason, because I could not but compare what I saw in Two Dimensions with what it really was if seen in Three, and could hardly refrain from making my comparisons aloud.' I neglected my clients and my own business to give myself to the contemplation of the mysteries which I had once beheld, yet which I could impart to no one, and found daily more difficult to reproduce even before my own mental vision.

"Methods of Work" (p. 64)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

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